Bellarion the Fortunate : $b a romanceSabatini, Rafael
History
Bellarion the Fortunate : $b a romance
Sabatini, Rafael
Italy -- History -- 1268-1492 -- Fiction
'Madonna, you do not recognise me.' With the sleeve of his smock he
wiped the daub of paint from across his features. But already his voice
had made him known.
'Messer Bellarion! Is it yourself?'
'Myself.' He came to the ground. 'To command.'
'But ... why this? Why thus?' Her eyes were wide, she was a little
breathless.
'I have had a busy day, madonna, and a busy night, and I have more to
report than may hurriedly be muttered behind a hedge.'
'You bring messages?'
'The message amounts to nothing. It is only to say that Messer
Giuffredo, fancying himself followed and watched on the last occasion,
is not to be induced to come again. And in the meanwhile nothing has
happened of which it was worth while to inform you. Messer Barbaresco
desires me further to say that everything progresses satisfactorily,
which I interpret to mean that no progress whatever is being made.'
'You interpret ...'
'And I venture to add, having been entertained at length, not only by
Messer Barbaresco, but also by the other out-at-elbow nobles in this
foolish venture, that it never will progress in the sense you wish, nor
to any end but disaster.'
He saw the scarlet flame of indignation overspread her face, he saw the
anger kindle in her great dark eyes, and he waited calmly for the
explosion. But the Lady Valeria was not explosive. Her rebuke was cold.
'Sir, you presume upon a messenger's office. You meddle in affairs that
are not your concern.'
'Do you thank God for it,' said Bellarion, unabashed. 'It is time some
one gave these things their proper names so as to remove all
misconception. Do you know whither Barbaresco and these other fools are
thrusting you, madonna? Straight into the hands of the strangler.'
Having conquered her anger once, she was not easily to be betrayed into
it again.
'If that is all you have to tell me, sir, I will leave you. I'll not
remain to hear my friends and peers maligned by a base knave to whom I
speak by merest accident.'
'Not accident, madonna.' His tone was impressive. 'A base knave I may
be. But base by birth alone. These others whom you trust and call your
peers are base by nature. Ah, wait! It was no accident that brought me!'
he cried, and this with a sincerity from which none could have suspected
the violence he did to his beliefs. 'Ask yourself why I should come
again to do more than is required of me, at some risk to myself? What
are your affairs, or the affairs of the State of Montferrat, to me? You
know what I am and what my aims. Why, then, should I tarry here? Because
I cannot help myself. Because the will of Heaven has imposed itself upon
me.'
His great earnestness, his very vehemence, which seemed to invest his
simple utterances with a tone of inspiration, impressed her despite
herself, as he intended that they should. Nor did she deceive him when
she dissembled this in light derision.
'An archangel in a painter's smock!'
'By Saint Hilary, that is nearer the truth than you suppose it.'
Public-domain text, read in full here on John Shaqi.
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