Some slight delay, during which the soft dreamy music still falters unceasingly from Laura Chipchase's fingers, and then the curtain once more begins to ascend. There is no such sensational effect as a pistol-report to startle the audience this time. The scene represents a lady's dressing-room. In an arm-chair, placed on the stage right opposite the toilette-table on the stage left, attired as a smart lady's-maid, reclines Sylla sound asleep; on the table are scattered bracelets, &c., and also stands an open jewel-case. Mr. Sartoris, got up to represent a dog-stealer, a burglar, or other member of the predatory classes, is in the act of getting in a practicable window at the back of the stage. A dark lantern is in his hand, and his feet are artistically enshrined in india-rubbers. Stealthily, with many melodramatic starts and gestures, and anxious glances at the sleeping girl, he makes his way to the toilette-table, fills his pockets with the glittering gewgaws, then turns to depart, with his plunder, silently as he had come. As he passes the sleeping soubrette, she moves uneasily in her chair. With a ferocious gesture the robber draws from his breast an ominous-looking knife, pauses for a moment, and then, reassured by her tranquillity, makes his way to the window. As he disappears, Mrs. Sartoris, an opera-cloak thrown over her ball-room dress, and carrying a bed-room candle in her hand, enters and crosses to the toilette-table. Placing her candle on the table, she seizes the jewel-box, and, it is evident, becomes cognizant that robbery has been committed. As she turns, Sylla starts from the chair in great confusion; Mrs. Sartoris points to the table, and then with a start notices the open window. The curtain descends upon Mrs. Sartoris pointing in an accusing manner to the window, and Sylla with clasped hands mutely protesting her innocence and ignorance of the robbery. With the clue afforded by the solution of the first syllable, the audience very soon make out the second; and that the word was either "mistake" or "mistaken" they entertained little doubt. Curiosity now centred on what version they would give of the whole, for that each word was to be rendered in three tableaux had been stated before the performance commenced.