Between the Larch-woods and the WeirKlickmann, Flora
General
Between the Larch-woods and the Weir
Klickmann, Flora
Country life -- England; England -- Social life and customs -- 20th century; Friendship; Household employees
“Fresh paper on the dresser?” I exclaimed, and went hurriedly into the
kitchen. Sure enough, the dresser, the pantry and scullery shelves, and
all other available surfaces, including the deep window-sill and the
tops of the safes, had been carefully covered with white paper; prompt
investigation proved them to be pages from some of the various MSS. I
had left in piles on the settle when I went out. Of course the writing
was face downwards. I lifted things and examined what was beneath. The
vegetable dishes on the dresser were reposing on portions of a serial
story; canisters, saltbox and biscuit-tins shared the back of one of
a series of Nature Study articles; the Siberian wolves were gnashing
their horrid fangs beneath the knife-machine. I left the anonymous
letter to an amiable if inglorious end, laid along the saucepan shelf,
but I hurriedly collected the rest to the accompaniment of Eileen’s
plaintive tones—
“I thought you had put them there for waste paper. And the back of
every sheet was so beautifully clean, and I had made my kitchen look
_so_ nice with them.”
All of which goes to illustrate the risk one runs in sending MSS. to
editors, more especially to feminine editors possessed of kitchens.
* * * * *
Though the fall of snow did not last very long, the wind howled and
moaned around the house all the evening, and roared in the wide
chimneys like a 32-feet open diapason pedal pipe. Virginia suggested
to Eileen that she should go out and put a little salt on the wolves’
tails to see if that would quiet them.
I thoroughly enjoy the moaning of the wind if I am surrounded by
creature comforts—a big fire, a good cup of tea, or something
interesting in that line. I never feel a desire for intellectual
or introspective pursuits when the moan is most robust. When a raw
nor’wester or a bullying sou’wester howls outside the door and windows,
making the pine trees creak and groan like the wheels of an old timber
waggon, and the evergreen firs wildly wave their branches like long
dark plumes, I want to be able to hug myself to myself in the midst
of warmth and good cheer, and in the company of some congenial fellow
being. Then I give the fire a further poke and another log, remarking
contentedly: “Just _hark_ at the wind! _What_ a night! Isn’t it cosy
indoors!” And the brass candlesticks on the mantelpiece, and the plates
and jugs and dishes on the dresser blink acquiescence.
Under such circumstances I love the howlers on these hills. But if
I were a studious ascetic, burning the midnight oil—and very little
else—I’m afraid that the sound of the wailing up and down the scale in
minor sixths, coupled with the lack of comforting food and blazing fire
and sympathetic companionship, would make me desperately melancholy
indeed.
Public-domain text, read in full here on John Shaqi.
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