'P'raps,' said the disgusted one contemptuously, 'an' p'raps not. Look
at the date of that despatch. Isn't that for the day we was in the
thick of it? An' look what it says. Don't that make you sick?'
And in truth it did make them 'sick.' For their night and day of
fighting--their defeat of an attack, their suffering under shell,
bullet, and bomb, their nine killed and their thirty-six wounded--were
all ignored and passed by.
The despatch for that day said simply: 'On the Western Front there is
nothing to report. All remains quiet.'
THE PROMISE OF SPRING
'_Only when the fields and roads are sufficiently dry will the
favourable moment have come for an advance._'--EXTRACT FROM OFFICIAL
DESPATCH.
It is Sunday, and the regiment marching out towards the firing line and
its turn of duty in the trenches meets on the road every now and then a
peasant woman on her way to church. Some of the women are young and
pretty, some old and wrinkled and worn; they walk alone or in couples
or threes, but all alike are dressed in black, and all alike tramp
slowly, dully, without spring to their step. Over them the sun shines
in a blue sky, round them the birds sing and the trees and fields
spread green and fresh; the flush of healthy spring is on the
countryside, the promise of warm, full-blooded summer pulses in the
air. But there is no hint of spring or summer in the sad-eyed faces or
the listless, slow movements of the women. It is a full dozen miles to
the firing line, and to eye or ear, unless one knows where and how to
look and listen, there is no sign of anything but peace and pleasant
life in the surroundings. But these black-clad women do know--know
that the cool green clump of trees over on the hill-side hides a
roofless ruin with fire-blackened walls; that the church spire that for
all their lives they had seen out there over the sky-line is no longer
visible because it lies shell-smitten to a tumbled heap of brick and
stone and mortar; that the glint of white wood and spot of scarlet
yonder in the field is the rough wooden cross with a _kepi_ on top
marking the grave of a soldier of France; that down in the hollow just
out of sight are over a score of those cap-crowned crosses; that a
broad belt of those graves runs unbroken across this sunlit face of
France. They know, too, that those dull booms that travel faintly to
the ear are telling plain of more graves and of more women that will
wear black. It is little wonder that there are few smiles to be seen
on the faces of these women by the wayside. They have seen and heard
the red wrath of war, not in the pictures of the illustrated papers,
not in the cinema shows, not even by the word-of-mouth tales of chance
men who have been in it; but at first-hand, with their own eyes and
ears, in the leaping flames of burning homes, in the puffing white
clouds of the shrapnel, the black spouting smoke of the high-explosive,
Public-domain text, read in full here on John Shaqi.
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