Southern Europe. Quinet has not failed to present this fact very strongly. "That Council," says he, "had not, like its predecessors, its roots in all nations; it did not assemble about it the representatives of all Christendom. Its spirit was to give full sanction to the idea, which certain popes of the middle ages had established, of their pre-eminence over oecumenical assemblies. Thenceforward, what had been the effect of a particular genius, became _the very constitution of the church_. The great adroitness consisted _in making the change without anywhere speaking of it_. The church which was before tempered by assemblies convoked from all the earth, became an absolute monarchy. From that moment the ecclesiastical world is silent. The meeting of councils is closed, no more discussions, no more solemn deliberations; everything is regulated by bulls, letters, and ordinances. Popedom usurps all Christendom; the book of life is shut; for three centuries not one page has been added." One would think the school of the Reaction would feel the force of facts so efficiently urged, even in spite of their towering disgust at the purposes for which they are employed. In fact, their own maxims may be turned against them with great power, in this matter of Ultramontanism. De Maistre, in his argument for unwritten constitutions, speaks of the creeds of the church as furnishing no exception to his rule; for these, he argues, are not _codes of belief_, but they partake the nature of hymns--they have rhythmical beauty, they are chanted in solemn services, they are confessed to GOD upon the harp and organ. Now this is indeed true of those three ancient creeds which are still chanted in the service of the Church of England; but the creed of Pius IV., which is the distinguishing creed of the Roman church, is absolutely nothing else than a _code of belief_, and is the only creed in Christendom which lacks that rhythmical glory which he considers a test of truth! Even Quinet notices this liturgic impotence of the Ultramontane religion. "The Roman church," he says, "has lost in literature, together with the ideal of Christianity, the sentiment of her own poetry. What has become of the burning accents of Ambrose and Paulinus? Urban VIII. writes pagan verses to the Cavalier Berni;[3] and instead of _Stabat mater_ or _Salutaris hostia_, the princes of the church compose mythological sonnets, at the very moment when Luther is thundering _Ein feste Burg ist unser Gott_, that Te Deum of the Reformation."