Blackwood's Edinburgh Magazine, Volume 71, No. 437, March 1852 — John Shaqi
Blackwood's Edinburgh Magazine, Volume 71, No. 437, March 1852Various
General
Blackwood's Edinburgh Magazine, Volume 71, No. 437, March 1852
Various
England -- Periodicals; Scotland -- Periodicals
I must have been asleep when Catsbach came home, if that night he
came home at all. Frightful dreams haunted me all night. A thousand
demons came down on me, like the Guards at Waterloo, all playing on
broken-winded flutes. Twenty Hamlets, all in sable hat and tumbled
silk stockings, whistled "To be, or not to be," through the same
detestable instrument. Then I dreamt of Emily Pybus, and instantly
she turned into Miss Claribel in the costume of Ophelia. All the
scenes of my past life jumbled themselves up into one confused mass.
Well-known faces looked in upon me from all sides of the room--Mr
Montalban, the old schoolmaster at Puddlecombe, the examiners,
Miss de la Rose, and Fitz-Edward--all piping and screaming on that
inevitable flute. It showed that a deep blow on my vanity had been
inflicted by my failure at Mr Willox's ball. I tried when I awoke to
remember whether I had taken opium, I felt so feverish and confused;
but the excitement was caused by my injured self-love; and, waking
as well as sleeping, I entertained a frantic hatred against Mr
Hooker. I determined to take counsel of Catsbach, to whom I had
hitherto confided all parts of my history, with the sole concealment
of names. I resolved to lay the whole case before him, and ask his
advice how to proceed. Should I go to Muswell Hill and take the
very office of tutor in music which I had already so indignantly
refused in literature and classics? I found I was very much changed
since then--or rather that Emily was more attractive, as a pupil,
than I had thought her at fourteen years old. There was romance
also in becoming acquainted with her in a fictitious character; and
I felt less degraded as an unsuccessful musician than I had felt
as a disappointed schoolboy. But Catsbach should decide upon it
all. In the morning, however, a note was put into my hands--"The
incident last night," he said, "makes it too dangerous for us to
attend at private parties. You will never be able to preserve your
incog. I have got some intimation of the whereabouts of Ellinor.
You won't see me for two days. Meantime, go on with rehearsal with
Miss Claribel, and on Thursday take her to Chatham. The 'Paragon
Royal' will be in ecstasy at your approach, for I have said you
will give them five pounds and a supper after the play. I shall
be there in plenty of time for the overture, but at present I am
off to Guildford, where I suspect my charmer keeps a school. The
mistress has been described to me as a perfect angel; and what can
be a closer description of my Ellinor? Take care of Miss Claribel's
arts. Beauty is a fading flower. So am I.--AUGUSTUS TOOKS." I
followed the advice contained in this letter, and perfected myself
in Hamlet. Miss Claribel herself began to have hopes of my success;
and my mother, in the midst of her rapture with my performance, only
insisted more and more on a strict preservation of my incognito. My
uncle, she said, was about to return to England. She did not know
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