A tremendous number of imitators have sprung up from time to time—“they
had their day, and ceased to be”—but there were only two other
publications that enjoyed permanent success; and those two, with the
first Society organ founded by Mr. Bowles, constituted, and still
constitute, what is understood as Society journalism. The second paper
in the trio was _The World_, founded by Edmund Yates; and the third was
_Truth_, established by Henry Labouchere. I was fortunate enough to
write for all three; for two of them I have written voluminously.
Bowles used to aver that he had no staff. He wrote a great deal of the
paper himself, and his “Jehu Junior” articles, written to accompany the
cartoons, were models of what essays should be. Light, epigrammatic,
pungent, and excessively neat, they were the one possible accompaniment
to “Ape’s” caricatures. A sentence from the “Jehu Junior” article always
appeared beneath the picture. I can recall a couple. Beneath the first
picture of Disraeli was inscribed: “He educated his party, and dished the
Whigs to pass Reform, but to have become what he is from what he was is
the greatest reform of all.” When Bishop Magee made his great speech in
the House of Lords in defence of the Irish Church, his likeness appeared
in the _Vanity Fair_ gallery, and it had appended to it this extract from
the article by Bowles: “If eloquence could justify injustice, he would
have saved the Irish Church.” And the output of the able little editor
was always up to sample.
Although Bowles professed to conduct his paper without the aid of a
staff, he engaged regular contributors, which is pretty much the same
thing. These gentlemen were never consulted in a body. “Collectivity”
was never “pretty Fanny’s way,” as the Tory party, too late, discovered.
But individual members of the body of contributors were occasionally
summoned to meet their editor and proprietor at his chambers. When I was
first ushered into the august presence, Bowles had rooms in Palace
Chambers, at the corner of St. James’s Street, over against the Palace
itself. He had just commenced his yachting career at that period, and
adopted the mariner’s pose ashore to the extent of receiving you in his
bare feet—to give the impression, I suppose, of rolling seas and a
slippery deck.
Public-domain text, read in full here on John Shaqi.
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