Bohemian Paris of To-day: Second Edition — John Shaqi
Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
He had been a constant companion of the great Verlaine, but was that no
more, since Verlaine had died and left him utterly alone. You may see
him any day wandering aimlessly about the Quartier, wholly oblivious to
the world about him, and dreaming doubtless of the great dead poet of
the slums, who had loved him.
Here comes old Madame Carrot, a weazened little hunchback, anywhere
between sixty and a hundred years of age. She is nearly blind, and her
tattered clothes hang in strips from her wreck of a form. A few thin
strands of gray hair are all that cover her head.
"_Bon soir, Mère Carrot! ma petite mignonne, viens donc qu'on
t'embrasse! Où sont tes ailes?_" and other mocking jests greet her as
she creeps among the tables. But Mère Carrot scorns to beg: she would
earn her money. Look! With a shadowy remnant of grace she picks up the
hem of her ragged skirt, and with a heart-breaking smile that discloses
her toothless gums, she skips about in a dance that sends her audience
into shrieks of laughter, and no end of sous are flung at her feet. She
will sing, too, and caricature herself, and make pitiful attempts at
high kicking and anything else that she is called upon to do for the
sous that the students throw so recklessly. There are those who say that
she is rich.
In the rear end of the _café_ the demoiselle who had anchored herself
to the Martinique negro at the Bal Bullier was on a table kicking the
negro's hat, which he held at arm's length while he stood on a chair.
"_Plus haut! plus haut encore!_" she cried; but each time, as he kept
raising it, she tipped it with her dainty slipper; and then, with a
magnificent bound, she dislodged with her toe one of the chandelier
globes, which went crashing with a great noise to the floor; and then
she plunged down and sought refuge in her adorer's arms.
The night's excitement has reached its height now. There is a dizzy
whirl of skirts, feathers, "plug" hats, and silken stockings; and there
is dancing on the tables, with a smashing of glass, while lumps of sugar
soaked in cognac are thrown about. A single-file march round the room is
started, each dragging a chair and all singing, "_Oh, la pauvre fille,
elle est malade!_" Mr. Pugson, tightly clutching his canes and his
Dancing-Girl, joins the procession, his shiny hat reposing on the pretty
head of Mademoiselle Madeleine. But his heart almost breaks with regret
because he cannot speak French.
I began to remonstrate with Bishop for his own unseemly levity, but the
gloved hand of Mademoiselle Madeleine was laid on my lips, and her own
red lips protested, "_Taisez-vous donc! c'est absolument inexcusable de
nous faire des sermons en ce moment! En avant!_" And we went.
It was two o'clock, and the _café_s were closing, under the municipal
regulation to do so at that hour, and the Boul' was swarming with
revellers turned out of doors.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account