Bonaventure: A Prose Pastoral of Acadian LouisianaCable, George Washington
General
Bonaventure: A Prose Pastoral of Acadian Louisiana
Cable, George Washington
Country life -- Fiction; Louisiana -- Fiction; Pastoral fiction
Slowly! The bridegroom first, his mark. Step back. Now the little
bride--steady! Zosephine, _sa marque_. She turns; see her, everybody;
see her! brown and pretty as a doe! They are kissing her. Hail, Madame
'Thanase!
"Make way, make way!" The man and wife come forth.--Ah! 'Thanase
Beausoleil, so tall and strong, so happy and hale, you do not look
to-day like the poor decoyed, drugged victim that woke up one morning
out in the Gulf of Mexico to find yourself, without fore-intent or
knowledge, one of a ship's crew bound for Brazil and thence to the
Mediterranean!--"Make way, make way!" They mount the caleches,
Sosthene after Madame Sosthene; 'Thanase after Madame 'Thanase. "To
horse, ladies and gentlemen!" Never mind now about the youth who has
been taken ill in the chapel, and whom the cure has borne almost
bodily in his arms to his own house. "Mount! Mount! Move aside for the
wedding singers!"--The wedding singers take their places, one on this
side the bridal caleche, the other on that, and away it starts,
creaking and groaning.
"_Mais, arretez!_--Stop, stop! Before going, _passez le
'nisette_!--pass the anisette!" May the New-Orleans compounder be
forgiven the iniquitous mixture! "_Boir les dames avant!_--Let the
ladies drink first!" Aham! straight from the bottle.
Now, go. The caleche moves. Other caleches bearing parental and
grandparental couples follow. And now the young men and maidens gallop
after; the cavalcade stretches out like the afternoon shadows, and
with shout and song and waving of hats and kerchiefs, away they go!
while from window and door and village street follows the wedding cry:
"_Adjieu, la calege! Adjieu, la calege!_--God speed the wedding pair!"
Coming at first from the villagers, it is continued at length, faint
and far, by the attending cavaliers. As mile by mile they drop aside,
singly or in pairs, toward their homes, they rise in their stirrups,
and lifting high their ribbon-decked hats, they shout and curvette and
curvette and shout until the eye loses them, and the ear can barely
catch the faint farewell:
"_Adjieu, la calege! Adjieu, les mariees!_"
CHAPTER X.
AFTER ALL.
Adieu; but only till the fall of night shall bring the wedding ball.
One little tune--and every Acadian fiddler in Louisiana knows
it--always brings back to Zosephine the opening scene of that festive
and jocund convocation. She sees again the great clean-swept
seed-cotton room of a cotton-gin house belonging to a cousin of the
ex-governor, lighted with many candles stuck into a perfect wealth of
black bottles ranged along the beams of the walls. The fiddler's seat
is mounted on a table in the corner, the fiddler is in it, each beau
has led a maiden into the floor, the sets are made for the
contra-dance, the young men stand expectant, their partners wait with
downcast eyes and mute lips as Acadian damsels should, the music
strikes up, and away they go.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account