The remarkably large example of Bartolozzi's work which has often been
described as the book-plate of George III., does not appear ever to have
been used as such. In the previous edition of this book I alluded to it
(at p. 67) as, possibly, a gift to the King, in which, at the expense of
utility, Bartolozzi sought to display his gratitude to, and admiration
for, the sovereign, under whom he had come to reside; it does not,
however, seem that Bartolozzi intended the engraving for a book-plate at
all, but designed it for the title-page of a folio volume, issued in
1792, which contained engravings of thirty-six statesmen of the reign of
Henry VIII., from drawings by Holbein. I will give a short description
of the engraving in question, so that it may be more easily recognised
by the collector, if offered to him as a book-plate. It shows us the
arms of England, as borne by George III., prior to the Union with
Ireland, upheld in mid-air by three inhabitants of the skies. Above the
shield a fourth celestial being is flying, and at the same time holding
aloft His Majesty's crown. On the left side of the plate is the figure
of Fame, who, on a long trumpet placed to her lips, is evidently giving
a sonorous blast. This is perhaps the most uncomfortable part of the
design, for the whole weight of this somewhat massive young lady is upon
the shield, which we have said is in mid-air, and only supported by
three cherubs, whose united muscular powers strike one as totally
inadequate to bear the burden imposed upon them.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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