Then follows a description of each portrait--there are thirty in all--with its accompanying distich. As an example, we may give that belonging to the portrait of Dr. Andrew Perne: Bibliothecæ Libri Redditus pulcherrima Dona Perne, pium Musiste, Philomuse, probant. _Andreas Perne, Doctor Theol. Decanus Ecclesiæ Eliensis, Magister Collegii, obiit 26 Aprilis, Anno Dom. 1573._ These panel portraits were removed from their framework in the eighteenth century, and framed and hung in the master's lodge, but have since been re-hung for the most part in the college hall, and their Latin distichs restored according to Cole's record of them. The windows of the Combination Room have been filled with stained glass by William Morris, representing ten ideal women from Chaucer's "Legend of Good Women." On the upper storey of the combination room was the master's lodge. The situation of these rooms at the upper end of the hall is almost as invariable in collegiate plans as that of the buttery and kitchen at the other end. The same may be said of that most picturesque feature of the turret staircase leading from the master's rooms to the hall, parlour, and garden, which we shall find repeated in the plans of S. John's, Christ's, Queen's, and Pembroke Colleges. About the same period (1450) the range of chambers on the north side of the court was at its easternmost end connected by a gallery with the Church of S. Mary, which remained in use as the College chapel down to the seventeenth century. This gallery, on the level of the upper floor of the College chambers, was carried on arches so as not to obstruct the entrance to the churchyard and south porch from the High Street, by a similar arrangement to that which from the first existed between Corpus Christi College and the ancient Church of S. Benedict.