„ │14325 ───┼───── _m_│14235 ───┼───── _n_│41235 ───┼───── „ │42135 „ │42315 „ │42351 ───┼───── _o_│24351 ───┼───── _p_│24315 „ │24135 „ │21435 „ │12435 ───┼───── _q_│12453 ───┼───── _r_│21453 „ │24153 „ │24513 „ │24531 ───┼───── _s_│42531 ───┼───── _t_│42513 „ │42153 „ │41253 „ │14253 ───┼───── _v_│14523 ───┼───── _w_│41523 „ │45123 „ │45213 „ │45231 ───┼───── _x_│45321 ───┼───── _y_│45312 „ │45132 „ │41532 „ │14532 ───┼───── _z_│15432 Any note may be made a whole hunt at pleasure, and its first motion at the beginning of the peal may either be up or down. Any note may also be made a half-hunt, and its first motion likewise up or down at pleasure; yet still observing that the half-hunt and three extream bells must make the twenty four changes, as in this last example. So that in the sixscore changes the Learner may observe, that the three extream bells are always assigned for the half-hunt to hunt through; and the half-hunt and three extream bells are also assigned for the whole-hunt to hunt through: so that the whole-hunt always hunts through four notes, and the half-hunt through three. The extream changes may be made two ways; first, betwixt the two farthest extream bells from the half-hunt, as in this last example; secondly, betwixt the two next extream bells to the half-hunt, which may be called _mediums_, for distinction from the former. But the most usual and easiest way, is to make them betwixt the two farthest notes from the half-hunt.