Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
"How exquisite!"--"How dream-like!"--"How fairy!" broke from one and
another; but I was quite in a maze at present, and in mortal fear of
forgetting my part. The Chevalier, in complete undress, was pale and
restless; still to us all he seemed to cling, passing amidst us
confidingly, as a fearful and shy-smitten child. I thought I
understood this mood, but was not prepared for its sudden alteration;
for he called to some one behind the curtain, and the curtain
rose,--rose upon the empty theatre, with the scenery complete for the
first act. And then the soul of all that scenery, the light of the
fairy life, flashed back into his eyes; elfin-like in his jubilance,
he clapped those little hands. Our satisfaction charmed him. But I
must not anticipate. Letting the curtain again fall, he preceded us to
the back of the scenery; and I will not, because I cannot in
conscience, reveal what took place in that seclusion for artists great
and small,--sacred itself to art, and upon which no one dwells who is
pressing onward to the demonstration, ever so reduced and
concentrated, of art in its highest form.
At seven o'clock the curtain finally rose. It rose upon that tiny
theatre crowded now with clustering faces, upon the chandelier, all
glittering, like a sphere of water with a soul of fire, the lingering
day-beams shut out and shaded by a leaf-like screen. Out of all
precedent the curtain rose, not even on the overture; for as yet not a
note had sounded, since the orchestra was tuned, before the theatre
filled. It rose upon a hedge of mingled green and silver, densely
tangled leafage, and a burst of moon-colorless flowers, veiling every
player from view, and hiding every instrument of the silent throng,
who, with arm and bow uplifted, awaited the magic summons. But by all
the names of magic, how arose that flower-tower in the midst? For
raised above the screen of sylvan symbol was a turret of roots,
entwisted as one sees in old oaks that interlace their gnarled arms,
facing the audience, and also in sight of the orchestra; and this wild
nest was clad with silver lilies twice the size of life, whose
drooping buds made a coronal of the margin where the turret edged into
the air. And in the turret, azure-robed, glitter-winged,--those wings
sweeping the folded lilies as with the lustrous shadow of their
light,--stood our Ariel, the Ariel of our imaginations, the Ariel of
that haunted music, yet unspelled from the silent strings and pipes!
Public-domain text, read in full here on John Shaqi.
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