Charles Tyrrell; or, The Bitter Blood. Volumes I and IIJames, G. P. R. (George Payne Rainsford)
General
Charles Tyrrell; or, The Bitter Blood. Volumes I and II
James, G. P. R. (George Payne Rainsford)
England -- Social life and customs -- 19th century -- Fiction; Murder -- Fiction
Throughout life we are constantly holding long conversations without
saying a word, for the expression of the countenance is just as much a
language as that which hangs upon our tongue; and though the one and
the other are often equally deceitful, yet we are constantly
endeavouring to correct the falsehood and mistakes of either by the
commentary of the other.
Charles Tyrrell instantly saw that she did not recollect in the least
having seen him on the preceding night; but she saw that he knew who
she was and that he seemed very well pleased to see her; and she
therefore gathered from that circumstance that he was Sir Francis
Tyrrell's son, though there was certainly four years difference
between his real age and that which she had fancied it to be, and at
least six in appearance. Charles Tyrrell bowed, and, though he saw it
was unnecessary, informed her who he was, and then led her to the
drawing-room, where his mother received her kindly.
A strange house, strange people, and a novel situation in every
respect, of course, had their effect upon a young and inexperienced
girl, who, though not precisely of the character which is called
timid, was yet naturally modest and retiring in all her feelings, and
full of high and noble principles, which would, if called upon, have
enabled her to take a strong, a vigorous part in any situation of
difficulty. She was, however, grave and reserved through the greater
part of the evening, and till they retired to rest Charles Tyrrell did
not hear again that cheerful tone which had struck his ear in the inn
at Hertford Bridge.
Lady Tyrrell accompanied her guests to their apartments, and Charles
remained a moment or two before he himself retired to his own room. To
him his father made no observation; but, almost as soon as the ladies
were gone, he turned to Mr. Driesen, saying, "She is very beautiful
indeed."
"Which do you mean," demanded Mr. Driesen; "the mother or the
daughter?"
"Oh, I meant the daughter, of course," replied Sir Francis: "I had
seen the mother often before; but I had no idea that Lucy, whom I
remember a plain child, would have turned out so beautiful."
"She puts me in mind," said Mr. Driesen, in reply, "of a piece of
French porcelain, all rosy, red, and clear white, and ultramarine
blue."
There was a sneer upon his lip as he spoke, and Charles Tyrrell, who
felt the simile to be unjust in everything but the mere terms,
inasmuch as nothing could be more beautifully shaded and harmonized
than the colouring of Lucy Effingham's complexion, turned round and
quitted the drawing-room.
Immediately after he was gone, Sir Francis proceeded to read Mr.
Driesen a lecture upon the impolicy of decrying Lucy Effingham's
beauty, knowing, so well as he did, the project formed for uniting her
to his son. "I can tell you, Driesen," he added, "that young man is
harder to deal with than you know; to use the late King of Spain's
expression, 'he is as obstinate as an Aragonese mule.'"
Public-domain text, read in full here on John Shaqi.
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