Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“Meanwhile Charles Patterson had settled his bill at the Louvre, and
with his traveling-bag, the only piece of luggage brought from home, he
passed from the court into the Rue de Rivoli, and crossing the street
walked rapidly to the gallery of the Louvre, where madame was waiting
for him. There were a few words spoken between them, and then both
walked across the grounds to the street which skirts the river, where
Eugenie called a carriage, and bade the coachman drive to a second-rate
furnishing house in an obscure part of the city, with which she had once
been more familiar than she was now. It was a tolerably large
establishment and supplied her with what she wanted, an entire outfit of
a good substantial kind for a young English girl serving in the capacity
of waiting-maid. There were several bundles, but Fred’s bag held them
all, except the round straw hat which Eugenie carried herself, closely
wrapped in paper.
“‘Drive us to the station St. Lazare,’ she said to the coachman, and in
the course of half an hour Fred found himself alone with his companion
in a first-class carriage, speeding along toward Versailles.
“Eugenie had spoken to the conductor, and thus secured the carriage to
herself and Fred so that there was no one to see them when they opened
the bag, and brought out one by one the different articles which were to
transform the boy Frederic Strong into the girl _Fanny Shader_, who was
to be Eugenie’s waiting-maid. For that was the plan, and with a little
shrug of her shoulders and a significant laugh Eugenie said:
“‘Now I go to sleep—very much asleep—while you make the grand toilet;’
and closing her eyes she leaned back in her seat, and to all human
appearance slept soundly, while Fred arrayed himself in his feminine
habiliments, which fitted him admirably and became him remarkably well.
Fair-haired, pale-faced, blue-eyed and small, he had frequently taken
the part of a girl in the little plays his school companions were always
getting up in Millfield, so he was neither strange nor awkward in his
new dress and character, but assumed both easily and naturally as if
they had belonged to him all his life, and when at last he said:
“‘I am ready; you can wake up now,’ and Eugenie opened her eyes; she
started in astonishment and wonder, for instead of the delicate boy who
had been her companion, there sat a good-sized girl, in a neatly-fitting
brown stuff dress and sacque, with bands of white linen at the throat
and wrists, and a dark straw hat perched jauntily upon the hair parted
in the middle and curling naturally. The disguise was perfect, and
Eugenie exclaimed delightedly:
“‘Oh, _Mon Dieu, c’est une grande success_. You make such _joli_ girl.
Nobody suspect ever. Now you must be _bien attentif_ to me. You carry my
shawl; you pick up my _mouchoir_, so;’ and she dropped her handkerchief
to see how adroitly the new maid would stoop and hand it to her. It was
well done, and Eugenie continued:
Public-domain text, read in full here on John Shaqi.
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