Chats on CostumeRhead, G. Woolliscroft (George Woolliscroft)
History
Chats on Costume
Rhead, G. Woolliscroft (George Woolliscroft)
Clothing and dress
"As an instance of how largely the large petticoats are used in acts
of petty larceny, we may mention a small fact which has come within
our knowledge, and which it may be to the interest of shopkeepers to
know. Concealed beneath the skirts of a fashionably dressed female
were, the other day, discovered by a vigilant detective the following
choice proofs of her propensity to plunder: viz., twenty-three shawls,
eleven dozen handkerchiefs, sixteen pairs of boots (fifteen of them
made up with the military heel), a case of eau-de-Cologne, a ditto
of black hair-dye, thirty pairs of stays, twenty-six chemises, five
dozen cambric handkerchiefs, and eleven ditto silk, nineteen muslin
collars, and four-and-forty crochet ones, a dressing case, five hair
brushes (three of them made with tortoiseshell and two with ivory
gilt backs), a pair of curling irons, eight bonnets without trimmings
and nine-and-twenty with them, a hundred rolls of ribbon, half a
hundredweight of worsted, ten dozen white kid gloves and twenty dozen
coloured ones, forty balls of cotton, nine-and-ninety skeins of silk,
a gridiron, two coal-scuttles, three packets of ham sandwiches,
twenty-five mince pies, half a leg of mutton, six boxes of French
plums, ten ditto of bonbons, nine pâtés de foie gras, a dozen cakes
of chocolate and nine of portable hare soup, a warming pan, five
bracelets, a brace of large brass birdcages, sixteen bowls of goldfish,
half a score of lapdogs, fourteen dozen lever watches, and an eight-day
kitchen clock.
"After this discovery, who will venture to deny that Crinoline with
shoplifters is comparable to charity, inasmuch as it may cover a
multitude of sins?"
A curious advertisement in the _Illustrated London News_ of October
10, 1863, announces that--"Ondina, or waved Jupons, do away with
the unsightly results of the ordinary hoops, and so perfect are the
wave-like bands that a lady may ascend a steep stair, lean against a
table, throw herself into an armchair, pass to a stall in the opera, or
occupy a fourth seat in a carriage without inconvenience to herself or
to others, or provoking rude remarks of the observers, thus modifying
in an important degree all those peculiarities tending to destroy the
modesty of English women, and lastly, it allows the dress to fall
into graceful folds. Price 21s. Illustrations free." With all these
advantages, who would not wear a crinoline?
In the new year of 1860 _Punch_ gives a cut ("Some good account at
last") of a skater in pot-hat and pegtops, encircled by the framework
of an enormous crinoline, cutting graceful figures upon the ice and
exclaiming, "Entirely my own idea, Harry--ease, elegance, and safety
combined--I call it the skater's friend." "Some good account at last"?
Unkind Mr. Punch! Must we, then, measure the value of everything in
this world by its bare utility? The crinoline will endure as a sweet
solace to senses tired by the ennui of this dull earth. The memory of
it will outlive the ages.
Public-domain text, read in full here on John Shaqi.
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