Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and AntiquitiesMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and Antiquities
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
The hundredth anniversary of the birthday of Schiller, which, according to
the accounts published in the German newspapers, seems to have been
celebrated in most parts of the civilized, nay, even the uncivilized
world, is an event in some respects unprecedented in the literary annals
of the human race. A nation honors herself by honoring her sons, and it is
but natural that in Germany every town and village should have vied in
doing honor to the memory of one of their greatest poets. The letters
which have reached us from every German capital relate no more than what
we expected. There were meetings and feastings, balls and theatrical
representations. The veteran philologist, Jacob Grimm, addressed the
Berlin Academy on the occasion in a soul-stirring oration; the directors
of the Imperial Press at Vienna seized the opportunity to publish a
splendid album, or “Schillerbuch,” in honor of the poet; unlimited
eloquence was poured forth by professors and academicians; school children
recited Schiller’s ballads; the German students shouted the most popular
of his songs; nor did the ladies of Germany fail in paying their tribute
of gratitude to him who, since the days of the Minnesängers, had been the
most eloquent herald of female grace and dignity. In the evening torch
processions might be seen marching through the streets, bonfires were
lighted on the neighboring hills, houses were illuminated, and even the
solitary darkness of the windows of the Papal Nuncio at Vienna added to
the lustre of the day.(11) In every place where Schiller had spent some
years of his life, local recollections were revived and perpetuated by
tablets and monuments. The most touching account of all came from the
small village of Cleversulzbach. On the village cemetery, or, as it is
called in German, the “God’s-acre,” there stands a tombstone, and on it
the simple inscription, “Schiller’s Mother.” On the morning of her son’s
birthday the poor people of the village were gathered together round that
grave, singing one of their sacred hymns, and planting a lime-tree in the
soil which covers the heart that loved him best.
Public-domain text, read in full here on John Shaqi.
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