Sir Walter Scott gives a humorous account (except to the sufferer) of the ill usage of an apparitor, or macer, of the see of St. Andrew, in 1547. He was sent with letters of excommunication against Lord Borthwick, and, unluckily for him, chose the time when the inmates of his castle were engaged in the revels of the Abbot of Unreason, as this festive ruler was called in Scotland. The unfortunate apparitor was of course looked on as an alien enemy, or an outlaw, or any other terrible thing, and was immediately seized and well ducked; after which he was compelled to eat the parchment letters of excommunication, which had been previously steeped in a bowl of wine, and then to drink off the wine. In the play of Sir John Oldcastle, a similar incident is introduced, but the sumner of the Bishop of Rochester, who is the sufferer there, and has to eat the waxen seal also, is told that “tough wax is the purest of the honey.” In 1545, Sir Thomas Cawarden, who died 1560, was appointed master of the revels. In the same year payments were made to Robert Amadas, for plate of gold stuff for the disguising, of £451 12_s._ 2_d._; and to William Buttry, for silk for the same purpose, of £133 7_s._ 5_d._; so that, taking the difference of value of money into account, Henry began his reign with a determination to spare no expense in his entertainments, and subsequently the charges were much increased. In his second year the Christmas was kept at Richmond, and on the Twelfth Day we have a specimen of the pageants afterwards so much in fashion, though rather wild perhaps for our present tastes. This was devised like a mountain, glittering, as if with gold, and set with stones, on the top of which was a tree of gold, spreading out on every side with roses and pomegranates; it was brought towards the king, when out came a lady, dressed in cloth of gold, and the henchmen, or children of honour, who were dressed in some disguise, and they danced a morris before the king; after which they re-entered the mountain, which was drawn back, and then the wassail or banquet was brought in, and so ended the Christmas. These pageants must have been managed something like the pantomime or melo-dramatic devices we see on our own stage, and produced perhaps as much effect, taking into account the increase of modern fancy and expectation in this respect. [Illustration: James Stephanoff, del. Ashbee & Dangerfield, lith. PAGEANT BEFORE HENRY THE EIGHTH.]