“Let us now then, my good Sir,” continued Mr. Postern, “ascend to
the Platform or Street of the old London Bridge, erected by Peter of
Colechurch, and look at the buildings which stood upon it; the most
celebrated of which was the famous Chapel dedicated to St. Thomas à
Becket, the Martyr of Canterbury, whence it was familiarly called
St. Thomas of the Bridge. This was erected upon the Tenth, or Great
Pier, which measured 35 feet in breadth, and 115 from point to point;
whilst the edifice itself was 60 feet in length, by 20 feet broad, and
stood over the parapet on the Eastern side of the Bridge, leaving a
pathway on the West, about a quarter of the breadth of the Pier, in
front of the Chapel. The face of the building itself was forty feet in
height, having a plain gable, surmounted by a cross of about six feet
more; whilst four buttresses, crowned by crocketted spires, divided
the Western end into three parts. The wide centre contained a rich
pointed-arch window, of one mullion, with a quatrefoil in the top;
and the two sides were occupied by the entrances to the Chapel from
the Bridge-Street, each being ascended by three steps. Such was the
general appearance of the WEST FRONT OF THE CHAPEL ON LONDON BRIDGE.
[Illustration]
“The interior of this edifice consisted of two stories, both
consecrated to sacred purposes, and greatly resembling each other
in their appearance. The Upper Chapel was lofty, being supported by
fourteen groups of elegant clustered columns, and lighted by eight
pointed-arch windows divided by stone mullions into a double range
of arches, surmounted by a lozenge. Beneath each of the windows were
three arched recesses, separated by small pillars; and the roof itself
was also originally formed of lofty pointed arches; though, when this
magnificent fane was transformed into a warehouse, a wooden ceiling,
with stout beams crossing each other in squares, was erected, which
cut off the arches where they sprang from the pillars, and divided into
two parts the INTERIOR OF THE UPPER CHAPEL OF ST. THOMAS.
[Illustration]
The Eastern extremity of this building formed a semi-hexagon, having
a smaller window in each of its divisions, with richly carved arches
under them, corresponding with the series already mentioned on the
side: and the architectural lightness and elegance of the whole,
meriting the highest encomium. Beneath this principal edifice, was
a short descending passage, having, on the left hand, a stone basin
cut in a recess in the wall, for containing Holy Water, and leading,
through the solid masonry of the Pier, into the LOWER CHAPEL OF ST.
THOMAS, which was constructed in the Bridge itself.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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