Short stories, French -- Translations into English; World War, 1914-1918 -- Fiction
A discussion suddenly breaks upon the silence. The old doctor was
exclaiming in a furious tone:
“I tell you I can hear nothing!”
With both hands he was pressing down the shoulders of a poor weak
wretch as thin as a poker, and who looked terrified.
With one word the poor devil was ordered into the fighting forces, and
he went away, more upset, trembling and panic-stricken than he would
ever be in the trenches in front of the machine-guns.
But at the other end of the hall something unusual was happening.
“I tell you I can walk,” protested a rasping voice, eaten away by
goodness knows what disease.
“No,” replied the young doctor, “no; be reasonable, and go home. We’ll
take you later when you’ve recovered.”
“If you don’t want me, I shall do myself in.... But I tell you I have
reasons for going to the front. I am not going to stand any more
insults day after day.”
A short silence takes possession of everyone in the room: the echo of a
tragedy is felt. The man is obviously very ill. His chest is horrible,
distorted by violent breathing. He can hardly stand on his swollen
legs, which are marked with large purple veins.
“Rejected!” cries the judge.
And the unfortunate creature returns to his rags, with lowered
shoulders, his eyes dazed like a bull that has been felled.
The man who followed was a fatalist: he refused to discuss his position.
“That won’t prevent you serving.”
“Bah! just as you like.”
“Then, the fighting line!”
“As you wish; I don’t care a damn.”
And he withdraws immediately, liberated like a man who stakes his
future on a mere throw of the dice.
All those who go away leave behind them something of the heavy smell of
unwashed bodies. Curious thing, they all have a fetid breath; for that
day they have eaten too quickly, badly digested their food, smoked and
drunk too much. From all these mouths comes the same warm, sour breath
which betrays the same emotion--the same breakdown of the machine.
The atmosphere of the room gradually thickens. The lamps, which
had been lit quite early, appear to be lined with a heavy clinging
moisture that affects all the objects in the room. But above all hovers
something more elusive and discordant--the air seems to be charged with
nervous energy, the fragments of broken wills, the wreckage of the
thoughts abandoned there by men who had to strip themselves naked, who
were afraid, who yearned and did not yearn, who measured with anguish
their powers of resistance and the sacrifice they had to make, who
fought with all their might against the forces of destiny.
Public-domain text, read in full here on John Shaqi.
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