Collins' Illustrated Guide to London and Neighbourhood: Being a Concise Description of the Chief Places of Interest in the Metropolis, and the Best Modes of Obtaining Access to Them: with Information Relating to Railways, Omnibuses, Steamers, &c. — John Shaqi
Collins' Illustrated Guide to London and Neighbourhood: Being a Concise Description of the Chief Places of Interest in the Metropolis, and the Best Modes of Obtaining Access to Them: with Information Relating to Railways, Omnibuses, Steamers, &c.Anonymous
History
Collins' Illustrated Guide to London and Neighbourhood: Being a Concise Description of the Chief Places of Interest in the Metropolis, and the Best Modes of Obtaining Access to Them: with Information Relating to Railways, Omnibuses, Steamers, &c.
Anonymous
London (England) -- Guidebooks
National Gallery.—This building, in Trafalgar Square, is the chief
depository of the pictures belonging to the nation. In 1824, the
Government purchased the Angerstein collection of 38 pictures, for
£57,000, and exhibited it for a time at a house in Pall Mall. The
present structure was finished in 1838, at a cost of about £100,000, from
the designs of Mr. Wilkins. Since that year till 1869, the Royal Academy
occupied the eastern half, and the National Gallery the western. In the
last-named year, the Royal Academy was removed to Burlington House; and
the whole of the building is now what its name denotes. This National
Gallery now comprises the Angerstein collection, together with numerous
pictures presented to the nation by Lord Farnborough, Sir George
Beaumont, the Rev. Holwell Carr, Mr. Vernon, and other persons; and, most
recent of all, the Turner collection, bequeathed to the nation by that
greatest of our landscape painters. Every year, likewise, witnesses the
purchase of choice old pictures out of funds provided by Parliament. The
grant annually is about £10,000. To accommodate the constantly
increasing collection, the centre of the building was re-constructed in
1861, and a very handsome new saloon built, in which are deposited the
choicest examples of the Italian Schools of Painting: forming, with its
contents, one of the noblest rooms of the kind in Europe. To name the
pictures in this collection would be to name some of the finest works of
the Italian, Spanish, Flemish, and French schools of painters. Some of
the most costly of the pictures are the following:—Murillo’s ‘Holy
Family,’ £3000; Rubens’s ‘Rape of the Sabines,’ £3000; Francia’s ‘Virgin
and Child,’ £3500; Sebastian del Piombo’s ‘Raising of Lazarus,’ 3500
guineas; Coreggio’s ‘Holy Family,’ £3800; Perugino’s ‘Virgin and Child,’
£4000; Claude’s ‘Seaport,’ £4000; Rubens’s ‘Judgment of Paris,’ £4200;
Raffaelle’s ‘St. Catherine,’ £5000; Rembrandt’s ‘Woman taken in
Adultery,’ £5250; Correggio’s ‘Ecce Homo,’ and ‘Mercury instructing
Cupid,’ 10,000 guineas; and Paul Veronese’s ‘Family of Darius,’ £14,000.
Public-domain text, read in full here on John Shaqi.
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