Comparative Studies in Nursery Rhymes — John Shaqi
Comparative Studies in Nursery RhymesEckenstein, Lina
History
Comparative Studies in Nursery Rhymes
Eckenstein, Lina
Comparative literature; Nursery rhymes -- Bibliography; Nursery rhymes -- History and criticism
And further: three for divorces from one's wife; four for the Divine
books (i.e. the Old and New Testament, the Psalter and the Koran); five
for the states of Islam; six for the realms in Nizam; seven for the
heavens that surround the throne of God (A., II, 230).
The same story in a more primitive form is told in Ditmarschen, a
district bordering on Holstein, in which also the numbers are carried to
seven only. But in this case a peasant's property stood forfeited to the
"little man in grey," unless he found an explanation to the numbers. He
despaired of doing so, when Christ intervened and instructed him as
follows:--
One stands for wheelbarrow; two stands for a cart; three for a trivet;
four for a waggon; five stands for the fingers of the hand; six for the
working days of the week; seven for the stars of the Great Bear. And the
peasant remained in the possession of his goods (R., p. 137).
More primitive still is the story as told in Little Russia. In this case
a man bartered away his soul for six pigs. After three years the devil
came to fetch him. But the devil was met by an old, old man who
successfully cheated him of his due. The dialogue between them was: "Who
is in the house?--One and not one (that is two). And how about two?--It
is well to thrash two at a time. It is well to travel three at a time.
He who has four has a waggon. He who has five sons has company. Six pigs
the devil had, but he left them with a poor man, and now he has lost
them for ever" (A., II, 227).
The comparison of these stories with the Chants of the Creed shows that
the dialogue stories are older in contents, and probably in form also,
than the cumulative pieces. In both, superhuman power is conveyed by
associating numbers with objects. This power in the dialogue pieces is
attributed to the "little man in grey" of the German piece, who may be
intended for Death, and to the devil in the Russian piece. In the
pieces where numbers are associated with Christian articles of belief,
the superhuman power is attributed to a popular saint, viz. St. Simeon
in Denmark and St. Nicholas in Italy, who make use of their power to
overcome Satan.
Public-domain text, read in full here on John Shaqi.
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