Moore, George, 1852-1933; Paris (France) -- Intellectual life
And should she _not_ visit his rooms? If the complex and various
accidents of existence should have ruled out her life virtuously; if the
many inflections of sentiment have decided against this last
consummation, then she will wax to the complete, the unfathomable
temptress--the Lilith of old--she will never set him free, and in the
end will be found about his heart "one single golden hair." She shall
haunt his wife's face and words (should he seek to rid himself of her by
marriage), a bitter sweet, a half-welcome enchantment; she shall
consume and destroy the strength and spirit of his life, leaving it
desolation, a barren landscape, burnt and faintly scented with the sea.
Fame and wealth shall slip like sand from him. She may be set aside for
the cadence of a rhyme, for the flowing line of a limb, but when the
passion of art has raged itself out, she shall return to blight the
peace of the worker.
A terrible malady is she, a malady the ancients knew of and called
nympholepsy--a beautiful name evocative and symbolic of its ideal
aspect, "the breasts of the nymphs in the brake." And the disease is not
extinct in these modern days, nor will it ever be so long as men shall
yearn for the unattainable; and the prosy bachelors who trail their
ill-fated lives from their chambers to their clubs know their malady,
and they call it--the woman of thirty.
VIII
A Japanese dressing-gown, the ideality of whose tissue delights me, some
fresh honey and milk set by this couch hung with royal fringes; and
having partaken of this odorous refreshment, I call to Jack, my great
python crawling about after a two months' fast. I tie up a guinea-pig to
the _tabouret_, pure Louis XV., the little beast struggles and squeaks,
the snake, his black, bead-like eyes are fixed, how superb are the
oscillations...now he strikes; and with what exquisite gourmandise he
lubricates and swallows.
Marshall is at the organ in the hall, he is playing a Gregorian chant,
that beautiful hymn, the "Vexilla Regis," by Saint Fortunatus, the great
poet of the Middle Ages. And, having turned over the leaves of "Les
Fêtes Galantes," I sit down to write.
Public-domain text, read in full here on John Shaqi.
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