Constantinople: The Story of the Old Capital of the EmpireHutton, William Holden
History
Constantinople: The Story of the Old Capital of the Empire
Hutton, William Holden
Istanbul (Turkey)
The successor of Constantine, Leo IV., was significant only in that he
followed his policy of persecution. He left the crown in 780 to his
son Constantine and his widow Irene. Conspiracies, real or alleged, of
his brothers were bitterly punished. The Empress Irene was satisfied
so long as her son was still a boy to allow him a nominal share in the
government; but when he grew up and showed an independent spirit, she
used the growing unpopularity which came upon him after his
repudiation of his wife to raise a party against him, and hired troops
to take his life. He escaped death only to lose his eyes, and his
wicked mother, surrounded by degraded favourites, reigned alone. It
was she whom the great Teutonic King Charles was ready to wed, and the
failure of the negotiations led, with other more notable causes, to
the creation of the new empire of the West, so long held by German
Cæsars, but professing still to be--as that of Constantinople
historically was--the heir of the ancient empire of the Roman world.
Wicked as Irene was, it was given to her to restore peace to the
Church, and to reunite though only for a time the Catholic Church
throughout the world. So completely was the popular feeling against
the iconoclasts that it needed little of the intrigue or violence
which Irene was so ready to use to secure the result she desired. In
786, when her worst passions had not been revealed and she still lived
in union with her son, the seventh General Council met at Nicaea. It
was attended by representatives from Italy as well as from the East,
and as its decisions represent the use and teaching of the Eastern
Church to-day, they may here be summarised in Professor Bury's words.
"At the seventh sitting (5th or 6th October), the definition (ὅρος)
of doctrine was drawn up; after a summary repetition of the chief
points of theology established by previous Universal Councils, it
is laid down that the figure of the holy cross and holy images,
whether coloured or plain, whether consisting of stone or of any other
material, may be represented on vessels, garment, walls or tables, in
houses or on public roads; especially figures of Christ, the Virgin,
angels, or holy men: such representations, it is observed, stimulate
spectators to think of the originals, and, while they must not be
adored with that worship which is only for God (λατρεία) deserve
adoration (προσκύνησις)."[14]
Public-domain text, read in full here on John Shaqi.
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