Barry looked down at Leila. Then he leaned toward her father. "I'm
going to take this child outside," he said; "she's as white as a sheet.
She doesn't like it. We will meet you all later."
Leila's color came back in the sunshine and air and she insisted that
Barry should return to the hall.
"I don't want you to miss it," she said, "just because I am so silly.
I can stay in Porter's car and wait."
"I don't want to see it--it's an old story to me."
So they walked on toward Arlington, entering at last the gate which
leads into that wonderful city of the nation's Northern dead, which was
once the home of Southern hospitality. In a sheltered corner they sat
down and Barry smiled at Little-Lovely Leila.
"Are you all right now, kiddie?"
"Yes," but she did not smile.
He bent down and peered through her veil. "Take it off and let me look
at your eyes."
With trembling hands, she took out a pin or two and let it fall.
"You've been crying."
"Oh, Barry," the words were a cry--the cry of a little wounded bird.
He stopped smiling. "Blessed one, what is it?"
"I can't tell you."
"You must."
"No."
A low-growing magnolia hid them from the rest of the world; he put
masterful hands on her shoulders and turned her face toward him--her
little unhappy face.
"Now tell me."
She shook herself free. "Don't, Barry."
He flushed suddenly and sensitively. "I know I'm not much of a fellow."
She answered with a dignity which seemed to surmount her usual
childishness, "Barry, if a man wants a woman to believe in him, he's
got to make himself worthy of it."
"Well," defiantly, "what have I done?"
[Illustration: "What have I done?"]
"Don't you know?"
"No-o."
"Then I'll tell you. Yes, I _will_ tell you," with sudden courage. "I
was at Delilah's this morning, and I saw your picture, and what you had
written on it----"
He stared at her, with a sense of surging relief. If it was only that
he had to explain about--Lilah. A smile danced in his eyes.
"Well?"
"I know you like to--play the game--but I didn't think you'd go as far
as that----"
"How far?"
"Oh, you know."
"I don't."
"_Barry!_"
"I don't. I wish you'd tell me what you mean, Leila."
"I will." Her eyes were not reproachful now, they were blazing. She
had risen, and with her hands tucked into her muff, and her veil
blowing about her flushed cheeks, she made her accusation. "You wrote
on that picture, 'To the One Girl--Forever.' Is that the way you think
of Delilah, Barry?"
"No. It is the way I think of you. And how did that picture happen to
be in Delilah's possession? I sent it to you."
"To me?"
"Yes, I took it over to you yesterday, and left it with one of the
maids--a new one. I intended, to go in and give it to you, but when
she said you had callers, I handed her the package----"
"And I thought--oh, Barry, what else could I think?"
Public-domain text, read in full here on John Shaqi.
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