Mr. Forster step by step builds up the evidence on which he writes this life and states this character. In like manner, he gives the evidence for his high estimation of Landor’s works, and—it may be added—for their recompense against some neglect, in finding so sympathetic, acute, and devoted a champion. Nothing in the book is more remarkable than his examination of each of Landor’s successive pieces of writing, his delicate discernment of their beauties, and his strong desire to impart his own perceptions in this wise to the great audience that is yet to come. It rarely befalls an author to have such a commentator: to become the subject of so much artistic skill and knowledge, combined with such infinite and loving pains. Alike as a piece of Biography, and as a commentary upon the beauties of a great writer, the book is a massive book; as the man and the writer were massive too. Sometimes, when the balance held by Mr. Forster has seemed for a moment to turn a little heavily against the infirmities of temperament of a grand old friend, we have felt something of a shock; but we have not once been able to gainsay the justice of the scales. This feeling, too, has only fluttered out of the detail, here or there, and has vanished before the whole. We fully agree with Mr. Forster that “judgment has been passed”—as it should be—“with an equal desire to be only just on all the qualities of his temperament which affected necessarily not his own life only. But, now that the story is told, no one will have difficulty in striking the balance between its good and ill; and what was really imperishable in Landor’s genius will not be treasured less, or less understood, for the more perfect knowledge of his character”. Mr. Forster’s second volume gives a facsimile of Landor’s writing at seventy-five. It may be interesting to those who are curious in calligraphy, to know that its resemblance to the recent handwriting of that great genius, M. Victor Hugo, is singularly strong. In a military burial-ground in India, the name of Walter Landor is associated with the present writer’s over the grave of a young officer. No name could stand there, more inseparably associated in the writer’s mind with the dignity of generosity: with a noble scorn of all littleness, all cruelty, oppression, fraud, and false pretence. ADDRESS WHICH APPEARED SHORTLY PREVIOUS TO THE COMPLETION OF THE TWENTIETH VOLUME (1868), INTIMATING A NEW SERIES OF “ALL THE YEAR ROUND”