Country Rambles, and Manchester Walks and Wild Flowers: Being Rural Wanderings in Cheshire, Lancashire, Derbyshire, and YorkshireGrindon, Leo H. (Leo Hartley)
History
Country Rambles, and Manchester Walks and Wild Flowers: Being Rural Wanderings in Cheshire, Lancashire, Derbyshire, and Yorkshire
Grindon, Leo H. (Leo Hartley)
England -- Description and travel; Natural history -- England -- Manchester
and next we must gather our specimens, selecting, to begin with, such
as are of slender make and comparatively juiceless texture. Pieces of
about a foot long are large enough, but if the plant be less than ten
or twelve inches in height, it should be taken root and all. Having the
boards and papers in readiness, lay one of the former as a foundation,
and to serve as a tray; upon this place a folded newspaper, and upon
this a sheet of Bentall, and then the specimen intended to be dried.
Over the specimen should come a second sheet of Bentall, then another
newspaper, and so on till the whole collecting is deposited. All being
in order, it remains only to place a heavy weight upon the top of the
pile, so as to press the plants flat, and prevent the air entering to
shrivel them. The easiest weights to use are common red bricks, but,
as bricks look untidy in a parlour, and are unpleasant to handle in
their naked state, they should be tied up neatly and separately in
smooth brown paper, and then not the most fastidious or weak-fingered
can object to them. In this condition the pile should be left till
the next day, when it should be turned over, layer by layer, and the
specimens transferred into dry Bentall. The newspapers need not be
changed unless the plants are succulent ones, and their moisture has
penetrated. The weight should then be replaced, and the pile again be
left to itself for three or four days, when the specimens will be found
perfectly dry, their forms scarcely altered, and their colours, except
in special cases, almost as bright as when growing. For very delicate
plants, instead of Bentall, it is best to use sheets of clean white
cotton-wadding, with tissue paper, to prevent the specimens clinging
to the cotton when of adhesive nature. When quite deprived of their
juices, the specimens should be transferred into sheets of white paper,
and neatly fastened down, not with gum arabic, which is apt to smear
and look untidy, but with a solution of caoutchouc in naphtha, sold in
the shops under the name of "indiarubber cement." The great advantage
of this is that if any should exude from below the specimen, it may,
when dry, be rubbed off like a pencil mark. The name of the plant, and
the date and place where gathered, should be written underneath. Giving
a summer to the work, it is surprising how soon a large and beautiful
collection of plants will accumulate, and how rapidly we feel ourselves
progressing in botanical knowledge. Taking ordinary care, there is
no reason why plants should not look nearly as green and pretty when
dried as when living. If an herbarium be only a heap of Latin hay,
as sometimes happens, it is not that the art of preserving plants is
deceptive, but that the collector has been clumsy or neglectful. Nor
are dried plants, as some esteem them, mere vegetable mummies, wretched
corpses devoid of all instructiveness or value, for they are far more
lively than drawings, and answer all our questions with readiness. Many
Public-domain text, read in full here on John Shaqi.
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