Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
In one matter, indeed, Grenville, at the expense of justice and liberty,
gratified the passions of the court while gratifying his own. The
persecution of Wilkes was eagerly pressed. He had written a parody on
Pope’s Essay on Man, entitled the Essay on Woman, and had appended to it
notes, in ridicule of Waburton’s famous Commentary. This composition was
exceedingly profligate, but not more so, we think, than some of Pope’s
own works, the imitation of the second satire of the first book of
Horace, for example; and, to do Wilkes justice, he had not, like Pope,
given his ribaldry to the world. He had merely printed at a private
press a very small number of copies, which he meant to present to some
of his boon companions, whose morals were in no more danger of being
corrupted by a loose book than a negro of being tanned by a warm sun.
A tool of the government, by giving a bribe to the printer, procured
a copy of this trash, and placed it in the hands of the ministers. The
ministers resolved to visit Wilkes’s offence against decorum with the
utmost rigour of the law. What share piety and respect for morals had in
dictating this resolution, our readers may judge from the fact that no
person was more {60}eager for bringing the libertine poet to punishment
than Lord March, afterwards Duke of Queensberry.
On the first day of the session of Parliament, the book, thus
disgracefully obtained, was laid on the table of the Lords by the Earl
of Sandwich, whom the Duke of Bedford’s interest had made Secretary of
State. The unfortunate author had not the slightest suspicion that his
licentious poem had ever been seen, except by his printer and by a few
of his dissipated companions, till it was produced in full Parliament.
Though he was a man of easy temper, averse from danger, and not very
susceptible of shame, the surprise, the disgrace, the prospect of utter
ruin, put him beside himself. He picked a quarrel with one of Lord
Bute’s dependents, fought a duel, was seriously wounded, and when half
recovered, fled to France. His enemies had now their own way both in the
Parliament and in the King’s Bench. He was censured, expelled from the
House of Commons, outlawed. His works were ordered to be burned by the
common hangman. Yet was the multitude still true to him. In the minds
even of many moral and religious men, his crime seemed light when
compared with the crime of his accusers. The conduct of Sandwich, in
particular, excited universal disgust. His own vices were notorious;
and, only a fortnight before he laid the Essay on Woman before the House
of Lords, he had been drinking and singing loose catches with Wilkes at
one of the most dissolute clubs in London. Shortly after the meeting of
Parliament, the Beggar’s Opera was acted at Covent Garden theatre. When
Macheath uttered the words--“That Jemmy Twitcher should peach me I
own surprised me,”--pit, boxes, and galleries, burst into a roar which
seemed likely to bring the roof down.
Public-domain text, read in full here on John Shaqi.
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