The comedy chorus consisted of twenty-four members, who came on the stage in detachments of six each. The comedy costumes of both actors and chorus were something like what we are accustomed to see in farce or pantomime; there was something comical and exaggerated about them, which occasioned mirth of itself. The masks were decidedly comic, and usually caricatured the countenance of some public person well known to the audience. The comedy, especially in the older days that of Aristophanes sought to teach the people by holding up to ridicule, all such persons or measures as seemed to the poet worthy of censure; therefore it dealt almost exclusively with the events of the day, and such characters as Alcibiades, Socrates, Cleon, etc., are constantly appearing, and in the most mirth-provoking manner. It is a matter of regret, however, that Aristophanes wielded so much influence, for he brought it to bear against Socrates, whom he was narrow-minded enough to take as the representative of Sophistry, and raised a popular feeling against him by his comedy of “The Clouds,” in which he attributed the most interested motives to that grand philosopher. It is unfortunate for Cleon that the caricature of Aristophanes was accepted as a portrait, and he has come down to us only as the noisy impudent demagogue, as portrayed in “The Knights;” yet Cleon must have been a rough and sturdy leader of the populace, to have attained so much power.[53] Aristophanes was aristocratic in his tendencies, and could not forgive the tanner, for having risen from his humble sphere. It required much courage however to attack the leader of the democracy, with such boldness. Even the mask makers refused to make the comic mask of Cleon; and when the mask was obtained no actor dared to play the character, so that Aristophanes was obliged to act it himself. Cleon embroiled Aristophanes in three lawsuits in consequence of his audacity. The choruses of these comedies had sometimes to assume very odd parts, as in the two comedies of the “Birds,” and the “Wasps,” where they represented those creatures. The masks were made to correspond to the character assumed, and in “The Wasps” each man had a short spear or sting, which they sometimes thrust out, or drew in, and the whole chorus would sometimes move about quickly with a buzzing noise. The wasps were a satire upon the swarm of Athenian magistrates.[54] One is forcibly reminded in these plays of the recent inventions of the French _Opera Bouffe_. In the later comedies, private intrigues began to form the plot, and there was no great difference between these and the plays of modern times. CHAPTER VII. THE DANCES OF ANCIENT GREECE.