Artists -- Juvenile fiction; France -- Juvenile fiction; Voyages and travels -- Juvenile fiction; Young women -- Juvenile fiction
Serena had gone very silent since her last remark and Cynthia, in spite
of the beauty of the hour, was beginning to feel sleepy and finding it
difficult to stifle her yawns as she watched the shadow silhouettes of
people passing, dark against the café lights. It was like a scene in
a play. Some of the characters she already recognized from her week
in the town. There was good old Madame Brassard, who kept the pastry
shop down by the river, leaning plumply on the arm of her thin, gray
little husband, and both in spotless black as befitted a gala Saturday
night. And there was the guide from the Carcassonne walls, limping
on his cane, his face as blankly sweet as a chromo portrait. It had
been, Cynthia knew, almost entirely shot away at Amiens, and repaired
again by a surgeon who had almost, but not quite repeated the charm of
the original. And there was the boy from the other terrace, slouching
slowly, hands in pockets, shoulders hunched disconsolately. Some day,
perhaps tomorrow morning, she would certainly cross the street and
start talking to him. ...
Aunt Anna gave a faint exclamation and leaned forward, blinking against
the lights, “Oh, isn’t that ... but no, of course not, how foolish
of me!” She gave a nervous little laugh. “I ... excuse me, I thought
I recognized someone from home,” she said, and began to tell Cynthia
all about the nice man in the shop in the Upper Town who was keeping a
lovely silk shawl till she came in to look at it again in the morning.
Serena, sitting with her back to the light, was still silent. Cynthia
suddenly jumped to her feet and exclaimed. “Come on, let’s go for a
walk up to the walls. It’s a wonderful night to see them, and it’s
perfectly safe, there will be lots of people along the road.”
Miss Comstock glanced swiftly down the street, then reached out to pat
her hand. “You Yankee girls are so energetic,” she drawled. “I’m sure
Serena would much prefer to sit right here and listen to the beautiful
music.”
But it seemed Serena wouldn’t. She, too, was on her feet. “We’ll just
go a little way, Aunt Anna,” she said, “and we won’t be gone long. Come
on, Yankee gal,” and she linked her arm through Cynthia’s.
She laughed and talked animatedly for the next block or two but when
they came out of the new town and faced the walls of the ancient
fortress, all green and dark gold under the moon, with crickets
shrilling from the banks of the little stream and the lights of the
houses behind them, she was silent again.
“Let’s not go any farther, here’s a splendid place to sit,” suggested
Cynthia, who thought the other might be rather tired, and had found a
seat on the handrail of the little stone bridge. One could hear far off
music and voices sounding faintly, and contrary to expectations the
road was almost deserted. Perhaps the old town had little romance or
mystery for those who had always lived within sight of its walls. But
she must make conversation; this wasn’t being a good guest.
Public-domain text, read in full here on John Shaqi.
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