Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three Parts — John Shaqi
Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three PartsGilpin, Richard
Religion
Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three Parts
Gilpin, Richard
Devil -- Early works to 1800; Temptation -- Early works to 1800
From point to point of our Memoir, it has been our endeavour to bring
out the character of Dr Gilpin under his varying circumstances; so
that, unless I have failed more than I can suppose, my Readers must
by this time—even out of the scanty material which has been left to
us—have formed an idea of him, such as will bear me out, I anticipate,
in characterising him summarily as a man of no ordinary type, large of
soul,—with the spaciousness of genius that has been hallowed,—strong
and inevitable in his convictions, quick and sensitive in conscience,
intense and full of _momentum_ in whatever he undertook; and, as his
‘_Dæmonologia Sacra_’ proves, profound, sagacious, keen in his scrutiny
of human and celestial-demoniac problems, and one who must have carried
sunshine with him wherever he went. His portrait—preserved in Nova
Scotia by a descendant, Dr Gilpin of Halifax—as engraved in the earlier
edition of Palmer, shews the liquid eye of genius, the mobile lip,
the brow compact and packed of brain, a nose somewhat audacious, and
a touch of sauciness in the chin, while the long cavalier-like curled
‘locks’ of his wig seem to proclaim the lord of the manor of Scaleby
as much as the Preacher; for as Edward Boteler puts it of another,
with Fullerian alliteration, ‘Though he was very humble, yet he knew
how to be a man and no worm, as well as when to be “a worm and no man.”
He knew when to lay his honour in the dust, and when to let no dust be
upon his honour.’[63]
I would now bring together several ‘estimates’ of our Worthy by those
who knew him well, and thus could form an accurate judgment concerning
him. First of all, I am fortunate enough to be able to give, from
an old, worn, and weather-stained holograph preserved by Prebendary
Gilpin, a quaint ‘Poem,’ which probably represents in portions of it
the inscription placed on his ‘monument’—long since mouldered away.
Here it is, rude and halting in rhyme and rhythm, but biographically
interesting:—
TO THE MEMORY OF YE EXCELLENT DR GILPIN.
Public-domain text, read in full here on John Shaqi.
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