The village maiden begged to know why the Count persecuted her with his
attentions, and he replied that he did so on account of his love for
her. She then assured him that she could never bring herself to look
on him with favour; and this naturally drew from him the energetic
declaration of his own passion for her. He concluded by asking her to be
his: she cried with emphasis, “Never!” He repeated his application, and
again she cried “Never!” and told him to begone. “You shall be mine,” he
cried, catching her by the arm. “Wretch, leave me,” she said, in all her
village-maiden dignity; he repeated his assertion, and clasped her round
the waist with ardour. Then she shrieked for help, and a few simple
villagers rushed hurriedly on the stage, but the Count drew his sword
and threatened with destruction any one who might advance. The simple
villagers thought it prudent to retire. “Ha! now, proud Marie, you are
in my power,” said the Count. “Is there no one to save me?” shrieked
Marie. “Yes, here is some one who will save you or perish in the
attempt,” came a voice from the wings, and with an agitation pervading
the sympathetic orchestra, a respectable young man in a green
hunting-suit with a horn by his side and a drawn sword in his hand,
rushed on, and was received with an outburst of applause from the
audience who, in Pietermaritzburg, as in every place else, are ever on
the side of virtue. This new actor was Oswin Markham, and it seemed that
Lottie's stories regarding the romance associated with his appearance
were successful, for not only was there much applause, but a quiet hum
of remark was heard amongst the front stalls, and it was some moments
before the business of the stage could be proceeded with.
So soon as he was able to speak, the Count wished to know who was the
intruder that dared to face one of the nobles of the land, and the
intruder replied in general terms, dwelling particularly upon the
fact that only those were noble who behaved nobly. He expressed an
inclination to fight with the Count, but the latter declined to
gratify him on account of the difference there was between their social
standing, and he left the stage saying, “Farewell, proud beauty, we
shall meet again.” Then he turned to the stranger, and, laying his hand
on his sword-hilt after he had thrown his cloak over his shoulder, he
cried, “We too shall meet again.”
Public-domain text, read in full here on John Shaqi.
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