But, in spite of hate, the Red House lodgers were a happy set of
revolutionaries. Real revolutionaries; having their leaflets printed by
secret presses; members of societies which exchanged confidential letters
with the more eminent Russians, such as Litvinoff and Trotzky, collected
for future publication secret circulars, private strike-breaking orders,
and other _obiter dicta_ of a rash government, and believed themselves to
be working to establish the Soviet government over Europe. They had been
angry all this summer because the Glasgow conference of the I.L.P. had
broken with the Third International. They spoke with acerbity of Mr.
Ramsay Macdonald and Mr. and Mrs. Philip Snowden. But now, in August,
they had little acerbity to spare for anything but the government's
conduct of Irish affairs.
7
But, though these were Gerda's own people, the circle in which she felt
at home, she looked forward every night to the morning, when there would
be the office again, and Barry.
Sometimes Barry took her out to dinner and a theatre. They went to the
"Beggar's Opera," "The Grain of Mustard Seed," "Mary Rose" (which they
found sentimental), and to the "Beggar's Opera" again Gerda had her own
ideas, very definite and critical, about dramatic merit. Barry enjoyed
discussing the plays with her, listening to her clear little silver voice
pronouncing judgment. Gerda might be forever mediocre in any form of
artistic expression, but she was an artist, with the artist's love of
merit and scorn of the second-rate.
They went to "Mary Rose" with some girl cousins of Barry's, two jolly
girls from Girton. Against their undiscriminating enthusiasm, Gerda and
her fastidious distaste stood out sharp and clear, like some delicate
etching among flamboyant pictures. That fastidiousness she had from both
her parents, with something of her own added.
Barry went home with her. He wondered how her fastidiousness stood the
grimy house in Magpie Alley and its ramshackle habit of life, after the
distinctions and beauty of Windover, but he thought it was probably very
good for her, part of the experience which should mould the citizen.
Gerda shrank from no experience. At the corner of Bouverie Street they
met a painted girl out for hire, strayed for some reason into this
unpropitious locality. For the moment Gerda had fallen behind and Barry
seemed alone. The girl stopped in his path, looked up in his face
enquiringly, and he pushed his way, not urgently, past her. The next
moment Gerda's hand caught his arm.
"Stop, Barry, stop."
"Stop? What for?"
"The woman. Didn't you see?"
"My dear child, I can't do anything for her."
Like the others of her generation, Gerda was interested in persons of
that profession; he knew that already; only they saw them through a
distorting mist.
"We can find out where she works, what wages she gets, why she's on the
streets. She's probably working for sweated wages somewhere. We _ought_
to find out."
Public-domain text, read in full here on John Shaqi.
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