The Cordeliers were in the attack, and presumably Danton also, since
all the world was there. But his only allusion to the scene is a phrase
of his circular to the courts when he took the Ministry of Justice in
1792, and he mentions his district only without including his own name.
One anecdote, and only one, connects him with the days of July. It seems
that in the night of the morrow, the early morning of the 16th, he was
at the head of a patrol in that sudden levy of which mention will be
made in this chapter. He thought it his duty to pass into the court of
the Bastille, probably in order to gather some detached portion of his
command; but he was met by Soulès, whom the informal meeting at the Hotel
de Ville had named governor. Full of new-fangled importance, Soulès
pompously forbad him to enter, and showed his commission. Danton did a
characteristic thing, part and parcel of that intense sectionalism upon
which he based all his action until Paris was at last in possession
of herself: for him power was from below, and the armed district had
a right of passage: he called the informal commission a rag, arrested
Soulès, and shut him up in the guardroom at the Cordeliers; then, with
a rather larger force, he marched him back through the streets and
gave him into the custody of the Hotel de Ville, whose authority for
judgment he admitted. The matter would be of no importance were it not
for the fact that, in the very natural and on the whole just censure
which the informal municipality passed on Danton’s action, Lafayette
showed an especial bitterness.[48] It was the first clash between two
men one of whom was to conquer and drive out the other; and it was a
typical quarrel, for Danton stood in the matter for the independence of
the electoral unit and for the power of Paris over itself: Lafayette
represented the principle of a strong municipality based on moderate
ideas and on a limited suffrage; in other words, the compromise which was
planned for the very purpose of muzzling the capital.
Public-domain text, read in full here on John Shaqi.
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