We come now to the EXCITANTS; that is, to the group of sexual characters whose origin through processes of selection has been most frequently called in question. We may cite the LOVE-CALLS produced by many male insects, such as crickets and cicadas. These could only have arisen in animal groups in which the female did not rapidly flee from the male, but was inclined to accept his wooing from the first. Thus, notes like the chirping of the male cricket serve to entice the females. At first they were merely the signal which showed the presence of a male in the neighbourhood, and the female was gradually enticed nearer and nearer by the continued chirping. The male that could make himself heard to the greatest distance would obtain the largest following, and would transmit the beginnings, and, later, the improvement of his voice to the greatest number of descendants. But sexual excitement in the female became associated with the hearing of the love-call, and then the sound-producing organ of the male began to improve, until it attained to the emission of the long-drawn-out soft notes of the mole-cricket or the maenad-like cry of the cicadas. I cannot here follow the process of development in detail, but will call attention to the fact that the original purpose of the voice, the announcing of the male's presence, became subsidiary, and the exciting of the female became the chief goal to be aimed at. The loudest singers awakened the strongest excitement, and the improvement resulted as a matter of course. I conceive of the origin of bird-song in a somewhat similar manner, first as a means of enticing, then of exciting the female.