English literature -- History and criticism; Greenaway, Kate, 1846-1901; Thomson, Hugh, 1860-1920
Bruno_, with the autograph of Sir
Joshua Reynolds, and a rare quarto (1516) of Boccaccio's _Decameron_.
Notes:
[47] It was, no doubt, identical with the "Original Articles of
Agreement" (Add. MSS. 18,861) between Milton and Samuel Symmons,
printer, dated 27th April, 1667, presented by Rogers in 1852 to the
British Museum. Besides the above-mentioned L5 down, there were to be
three further payments of L5 each on the sale of three editions, each of
1300 copies. The second edition appeared in 1674, the year of the
author's death.
[48] He was acquitted. His notes, in pencil, and relating chiefly to his
_Diversions of Parley_, were actually written in the Tower. Rogers, who
was present at the trial in November, mentioned, according to Dyce, a
curious incident bearing upon a now obsolete custom referred to by
Goldsmith and others. As usual, the prisoner's dock, in view of possible
jail-fever, was strewn with sweet-smelling herbs-fennel, rosemary and the
like. Tooke indignantly swept them away. Another of several characteristic
anecdotes told by Rogers of Tooke is as follows:--Being asked once at
college what his father was, he replied, "A Turkey Merchant." Tooke _pere_
was a poulterer in Clare Market.
But the mere recapitulation of titles readily grows tedious, even to the
elect; and I turn to some of the volumes with which, from references in
the _Table-Talk_ and _Recollections_, their owner might seem to be more
intimately connected. Foremost among these--one would think--should come
his own productions. Most of these, no doubt, are included under the
auctioneers' heading of "Works and Illustrations." In the "Library"
proper, however, there are few traces of them. There is a quarto copy of
the unfortunate _Columbus_, with Stothard's sketches; and there is the
choice little _Pleasures of Memory_ of 1810, with Luke Clennell's
admirable cuts in _facsimile_ from the same artist's pen-and-ink,--a
volume which, come what may, will always hold its own in the annals of
book-illustration. That there were more than one of these latter may be
an accident. Rogers, nevertheless, like many book-lovers, must have
indulged in duplicates. According to Hayward, once at breakfast, when
some one quoted Gray's irresponsible outburst concerning the novels of
Marivaux and Crebillon _le fils_, Rogers asked his guests, three in
number, whether they were familiar with Marivaux's _Vie de Marianne_, a
book which he himself confesses to have read through six times, and
which French critics still hold, on inconclusive evidence, to have been
the "only begetter" of Richardson's _Pamela_ and the sentimental novel.
None of the trio knew anything about it. "Then I will lend you each a
copy," rejoined Rogers; and the volumes were immediately produced,
doubtless by that faithful and indefatigable factotum, Edmund Paine, of
whom his master was wont to affirm that he would not only find any book
_in_ the house, but _out_ of it as well. What is more (unless it be
Public-domain text, read in full here on John Shaqi.
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