Bent on getting reliable news of the condition and progress of the
pestilence, he ransacked the local papers in the city cafés, as they
had been missing from the reading table of the hotel lobby for several
days now. Statements alternated with disavowals. The number of the sick
and dead was supposed to reach twenty, forty, or even a hundred and
more--and immediately afterwards every instance of the plague would be
either flatly denied or attributed to completely isolated cases which
had crept in from the outside. There were scattered admonitions,
protests against the dangerous conduct of foreign authorities. Certainty
was impossible. Nevertheless the lone man felt especially entitled to
participate in the secret; and although he was excluded, he derived a
grotesque satisfaction from putting embarrassing questions to those who
did know, and as they were pledged to silence, forcing them into
deliberate lies. One day at breakfast in the large dining-hall he
entered into a conversation with the manager, that softly-treading
little man in the French frock coat who was moving amiably and
solicitously about among the diners and had stopped at Aschenbach's
table for a few passing words. Just why, the guest asked negligently and
casually, had disinfectants become so prevalent in Venice recently? "It
has to do," was the evasive answer, "with a police regulation, and is
intended to prevent any inconveniences or disturbances to the public
health which might result from the exceptionally warm and threatening
weather." . . . "The police are to be congratulated," Aschenbach
answered; and after the exchange of a few remarks on the weather, the
manager left.
Yet that same day, in the evening, after dinner, it happened that a
little band of strolling singers from the city gave a performance in the
front garden of the hotel. Two men and two women, they stood by the iron
post of an arc-lamp and turned their whitened faces up towards the large
terrace where the guests were enjoying this folk-recital over their
coffee and cooling drinks. The hotel personnel, bell boys, waiters, and
clerks from the office, could be seen listening by the doors of the
vestibule. The Russian family, eager and precise in their amusements,
had had wicker chairs placed in the garden in order to be nearer the
performers; and they were sitting here in an appreciative semi-circle.
Behind the ladies and gentlemen, in her turban-like kerchief, stood the
old slave.
Public-domain text, read in full here on John Shaqi.
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