Bildungsromans; Germany -- Social conditions -- 1918-1933 -- Fiction; Young men -- Germany -- Fiction
On that spring day in the park I met a girl who had a strong attraction
for me. She was tall and slender, elegantly dressed, and had a wise,
boyish face. She pleased me at once, she belonged to the type that I
loved, and she began to work upon my imagination. She was scarcely
older than I, but she was more mature; she was elegant and possessed
a good figure, already almost a woman, but with a touch of youthful
exuberance in her features, which pleased me exceedingly.
It was never my good fortune to approach a girl with whom I could
have fallen in love, neither was it my luck in this case. But the
impression was deeper than all the former ones, and the influence of
this infatuation on my life was powerful.
Suddenly I had again a picture standing before me, a revered
picture--ah, and no need, no impulse was so deep or so strong in me
as the desire to revere, to adore. I gave her the name of Beatrice,
of whom, without having read Dante, I knew something from an English
painting, a reproduction of which I had in my possession. The picture
was of an English pre-Raphaelite girlish figure, very long-limbed and
slender, with a small, long head and spiritualized hands and features.
My beautiful young girl did not completely resemble this, although
she had the same slenderness and boyish suppleness of figure, which I
loved, and something of the spiritualization of the face, as if her
soul lay therein.
I never spoke a single word to Beatrice. Yet at that time she exercised
the deepest influence over me. Her picture fastened itself on my mind;
in my imagination she opened a sanctuary for me, she caused me to
pray in a temple. From one day to another I remained absent from the
drinking bouts and the nightly excursions. Once more I could bear being
alone, I read gladly, I liked to go for walks again.
I was much scoffed at for my sudden conversion. But I had now something
to love and to worship, I had again an ideal, life was once more full
of suggestion, of gaily colored secret nuances, that made me insensible
to the jeers of my companions. I again felt at home with myself,
although I was now the servant and slave of a picture which I revered.
Public-domain text, read in full here on John Shaqi.
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