Seymour's method of work was to sketch with pencil or pen the outline of his subject, and add the shadow effects by means of light washes of a greyish tint. A precision and neatness of touch characterise these "Pickwick" drawings, the most interesting of which is undoubtedly that representing Mr. Pickwick addressing the Club, a scene such as Seymour may have actually witnessed in the parlour of almost any respectable public-house in his own neighbourhood of Islington. Here we have the first delineation of the immortal founder of the famous Club, "that happy portrait," as Dickens said of it, "by which he is always recognised, and which may be said to have made him a reality." Seymour originally sketched this figure as a long thin man, the familiar presentment of him as a rotund personage having been subsequently inspired by Edward Chapman's description of a friend of his at Richmond named John Foster, "a fat old beau, who would wear, in spite of the ladies' protests, drab tights and black gaiters." It is curious, however, that in "The Heiress," illustrated by Seymour six years previously, we find in the second plate a character bearing a striking resemblance to Mr. Pickwick, and in "Maxims and Hints for an Angler" (1833), the artist similarly portrayed an old gentleman marvellously like him, both as regards physique and benignity of expression; indeed, this seems to have been a favourite type with Seymour, and thus it would appear that, in making Dickens's hero short and comfortable, he only reverted to an earlier conception. PLATE XIX FIRST STUDY FOR "THE DYING CLOWN" _Facsimile_ of the Original Drawing for "The Pickwick Papers" by R. SEYMOUR _Lent by Mr. Augustin Daly._ [Illustration] The drawing which ranks second in point of interest is the artist's first idea for "The Dying Clown," illustrating "The Stroller's Tale." The original sketch is a slight outline study in pen-and-ink of the figures only, the facial expressions being cleverly rendered. In the Victoria edition of "The Pickwick Papers" a _facsimile_ is given of a later and more developed version of the subject; this differs from the published etching, the alterations being the result, doubtless, of the criticism bestowed upon the drawing in the following letter addressed by Dickens to the artist,--apparently the only written communication from him to Seymour which has been preserved:-- "15 FURNIVAL'S INN, "_Thursday Evening, April 1836._ "MY DEAR SIR,--I had intended to write to you to say how much gratified I feel by the pains you have bestowed upon our mutual friend Mr. Pickwick, and how much the result of your labours has surpassed my expectations. I am happy to be able to congratulate you, the publishers, and myself on the success of the undertaking, which appears to have been most complete.