Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes; 2nd. Ed.Kitton, Frederic George
History
Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes; 2nd. Ed.
Kitton, Frederic George
Dickens, Charles, 1812-1870 -- Illustrations; English fiction -- Illustrations; Illustration of books -- Great Britain -- 19th century; Illustration of books, Victorian -- Great Britain; Illustrators -- Great Britain
As in the case of "The Stroller's Tale," there are noticeable
differences between the drawing and the etching of the last of Seymour's
published designs, depicting Mr. Winkle and the Refractory Steed. In
this plate it will be observed that, although the general composition is
identical with that in the drawing, the positions of the horse's
forelegs are reversed, and trees have been introduced on the left of the
picture.
PLATE XX
"THE RUNAWAY CHAISE"
_Facsimile_ of an Unused Design for "The Pickwick Papers" by
R. SEYMOUR
This Drawing illustrates an incident in the fifth chapter.
_Lent by Mr. Augustin Daly._
[Illustration]
An examination of Seymour's etchings for "Pickwick" shows that, in the
application of the dilute nitric acid to corrode the lines produced by
the etching-point, the artist was greatly troubled, and, in order to
save his designs and keep faith with the publishers and the public, he
was probably compelled to apply for help in his need to one of the
artist-engravers residing in his neighbourhood. It has been suggested
that certain faults in his plates caused by defective "biting" were
remedied by means of the engraving tool; but, so far as I have been able
to discover, there is no evidence of this. His plates possess the
quality of pure etching; indeed, in that respect they are superior to
those by "Phiz" in the same work. It should, however, be noted that
there are extant very few copies of "Pickwick" containing impressions
from Seymour's own plates; perhaps in not more than one copy out of a
hundred will they be found, and this scarcity is explained by the fact
that when the plates suffered deterioration through printing, the
artist's death prevented him from duplicating them, so that the subjects
had to be copied and re-etched by "Phiz." Seymour reversed his designs
upon the steel plates, so that when printed they appear exactly as
originally drawn. There is reason to infer, from an entry in the
artist's memorandum-book, that the first four subjects were etched
before he showed them to Dickens, and that they were afterwards
re-etched and modified in some degree to suit the author's views.
Besides these illustrations, Seymour is responsible for the design
appearing on the green wrapper of the monthly parts, which was engraved
on wood by John Jackson. A glance at this at once convinces us how
strongly the "sporting" element was at first intended to predominate,
for here are displayed trophies of guns, fishing-rods, and other
sporting implements; at the top of the page is seen the veritable Winkle
aiming at a sparrow, while below, seated on a chair in a punt,
peacefully reposes Mr. Pickwick with his rod, watching for a "bite"; in
the background of the picture may be recognised Putney Church, as well
as the old wooden bridge which once spanned the Thames at this point.
PLATE XXI
"THE PICKWICKIANS IN MR. WARDLE'S KITCHEN"
_Facsimile_ of an Unused Design for "The Pickwick Papers" by
R. SEYMOUR
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account