Florida -- Fiction; Immortalism -- Fiction; Science fiction; Walt Disney World (Fla.) -- Fiction
Lil took me under her wing, inviting me to after-work parties, talking
me up to her cronies, quietly passing around copies of my thesis-work.
And she did the same in reverse, sincerely extolling the virtues of the
others I met, so that I knew what there was to respect about them and
couldn't help but treat them as individuals.
In the years since, I'd lost that respect. Mostly, I palled around with
Lil, and once he arrived, Dan, and with net-friends around the world.
The ad-hocs that I worked with all day treated me with basic courtesy
but not much friendliness.
I guess I treated them the same. When I pictured them in my mind, they
were a faceless, passive-aggressive mass, too caught up in the starchy
world of consensus-building to ever do much of anything.
Dan and I threw ourselves into it headlong, trolling the Net for address
lists of Mansion-otakus from the four corners of the globe,
spreadsheeting them against their timezones, temperaments, and, of
course, their Whuffie.
"That's weird," I said, looking up from the old-fashioned terminal I was
using -- my systems were back offline. They'd been sputtering up and
down for a couple days now, and I kept meaning to go to the doctor, but
I'd never gotten 'round to it. Periodically, I'd get a jolt of urgency
when I remembered that this meant my backup was stale-dating, but the
Mansion always took precedence.
"Huh?" he said.
I tapped the display. "See these?" It was a fan-site, displaying a
collection of animated 3-D meshes of various elements of the Mansion,
part of a giant collaborative project that had been ongoing for decades,
to build an accurate 3-D walkthrough of every inch of the Park. I'd used
those meshes to build my own testing fly-throughs.
"Those are terrific," Dan said. "That guy must be a total _fiend_." The
meshes' author had painstakingly modeled, chained and animated every
ghost in the ballroom scene, complete with the kinematics necessary for
full motion. Where a "normal" fan-artist might've used a standard human
kinematics library for the figures, this one had actually written his
own from the ground up, so that the ghosts moved with a spectral
fluidity that was utterly unhuman.
"Who's the author?" Dan asked. "Do we have him on our list yet?"
I scrolled down to display the credits. "I'll be damned," Dan breathed.
The author was Tim, Debra's elfin crony. He'd submitted the designs a
week before my assassination.
"What do you think it means?" I asked Dan, though I had a couple ideas
on the subject myself.
"Tim's a Mansion nut," Dan said. "I knew that."
"You knew?"
He looked a little defensive. "Sure. I told you, back when you had me
hanging out with Debra's gang."
Had I asked him to hang out with Debra? As I remembered it, it had been
his suggestion. Too much to think about.
"But what does it mean, Dan? Is he an ally? Should we try to recruit
him? Or is he the one that'd convinced Debra she needs to take over the
Mansion?"
Public-domain text, read in full here on John Shaqi.
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