Our next point of interest is St. Augustine; in order to get there we have to return to Jacksonville, sleep one night at the hotel, and take the boat the next day for Tocoi, which is twenty-five, perhaps thirty miles, up the St. John’s river; thence we go by train to St. Augustine in about an hour. It is a lovely morning; earth, air, and sky seem to have joined in a glorious combination to make one perfect day. We take our last ramble through the sweet shady streets of Jacksonville; there is not a creature abroad, only the song birds hold a jubilee as they flit to and fro among the tree tops overhead, and the leaves are rustling gently as though whispering a last “Good-bye” as we pass beneath their cool green shadows. The steamer is waiting for us at the wharf, and, our luggage having been sent on before, we stroll quietly on board, ascend the wide staircase, and pass through the luxurious saloon, which is as elegantly fitted up as a London drawing-room, with handsome mirrors, painted panels, velvet hangings, sofas, lounges, and light cane rocking-chairs that can easily be carried from one part of the vessel to another. There is one table tastefully laid out for the sale of Indian work; some of it is very beautiful, and well worthy of inspection. The art committee of ladies’ needlework might pick up many a valuable idea therefrom. There is also a stall for the sale of newspapers, magazines, and books. Everything is arranged to make our temporary sojourn pleasant. Some of our fellow-passengers-to-be have deposited themselves in the cosiest nooks--some curled up in easy chairs, some stretched on sofas before the windows where they can enjoy the passing prospect “at ease.” One pretty pale girl, who has evidently been travelling all night, lies covered up fast asleep; another is training a youthful alligator to recognise her voice and follow her about. Some curious specimens of Eastern and Western humanity, and some few of our own countrymen, who seem manufactured expressly for foreign travel--and foreign travel only--are also “on view.” One has already taken possession of the piano, which appears to be suffering from internal dilapidations; he meanders over the keys in an aimless, objectless way, and gets nothing out of them except an occasional squeak or series of scaley groans, as though the torture is more than they can bear. A young fellow comes along, followed by a poodle dog walking decorously on its hind legs, and carrying a valise in its mouth with a solemnity suited to the occasion. However, as soon as it is released from its responsibilities its natural spirit comes out; it runs round and round after its own tail, and finding it can’t catch it leaves off like a sensible human being (when human beings are sensible and leave off hunting the impossible); but as he (for _it_ is a he) “has got no work to do,” he resolves to enjoy himself to the best of his canine fashion. He makes short runs after everybody’s skirts