Florida -- Fiction; Married women -- Fiction; Triangles (Interpersonal relations) -- Fiction
But though he read his aunt's nature, Winthrop was none the less
attached to her; it might be said, perhaps, with more accuracy, that he
was fond of her. He had been a very lonely little boy, his father while
loving him deeply had been strict with him, and had permitted him few
amusements, few companions; to go, therefore, and spend a month with his
aunt Katrina, to taste her indulgent kindness and enjoy the liberty she
allowed, to have her come and kiss him good-night, and talk to him about
his beautiful mother, to have her take him up on her lap and pet him
when he was a tired-out, drooping little fellow after immense exertions
with his big cousin Lanse, to hear her stories about his uncle Evert
(after whom he had been named)--that wonderful Uncle Evert who had gone
down to Central America to see the Aztecs--these things had been deeply
delightful at the time to the child, whose nature was reserved and
concentrated. And if the details were no longer distinct, now that he
was a man, the general remembrance at least was always there, the
remembrance of happy hours and motherly caresses. He therefore welcomed
the idea of his aunt's coming to Gracias. Though what Mrs. Peter
Rutherford would be able to find in that sleepy little hamlet in the way
of entertainment, he did not pretend to have discovered.
Five days later the party arrived, his aunt, her niece Mrs. Harold, her
maid Celestine.
As he greeted Mrs. Rutherford, Winthrop remarked to himself, as he had
remarked many times before, that his aunt was a fine-looking woman. Mrs.
Rutherford was sixty years of age, tall, erect, with a well-cut profile,
and beautiful gray hair, which lay in soft waves, like a silvery cloud,
above her fine dark eyes. The state of her health had evidently not
interfered with the arrangement of this aureola, neither had it relaxed
in any degree the grave perfection of her attire; her bonnet was a
model of elegance and simplicity, her boot, as she stepped from the
carriage, was seen to be another model of elegance and good sense. Mrs.
Rutherford loved elegance. But Mrs. Rutherford loved indolence as well,
and indolence never constructed or kept in order an appearance such as
hers; the person (of very different aspect) who followed her, laden with
baskets, cushions, and shawls, was the real architect of this fine
structure, from the soft waves of hair to the well-shaped boot; this
person was Celestine, the maid.
Public-domain text, read in full here on John Shaqi.
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