Egypt -- Antiquities; Egypt -- Description and travel
A mist hung over the land. Out of it, with a sort of stern energy, there
came to my ears loud hymns sung by the pilgrim voices--hymns in which,
mingled with the enthusiasm of devotees en route for the holiest shrine
of their faith, there seemed to sound the resolution of men strung up to
confront the fatigues and the dangers of a great journey through a wild
and unknown country. Those hymns led my feet to the venerable mosques of
Cairo, the city of mosques, guided me on my lesser pilgrimage among the
cupolas and the colonnades, where grave men dream in the silence near
marble fountains, or bend muttering their prayers beneath domes that are
dimmed by the ruthless fingers of Time. In the buildings consecrated to
prayer and to meditation I first sought for the magic that stills lurks
in the teeming bosom of Cairo.
Long ago I had sought it elsewhere, in the brilliant bazaars by day,
and by night in the winding alleys, where the dark-eyed Jews looked
stealthily forth from the low-browed doorways; where the Circassian
girls promenade, gleaming with golden coins and barbaric jewels; where
the air is alive with music that is feverish and antique, and in
strangely lighted interiors one sees forms clad in brilliant draperies,
or severely draped in the simplest pale-blue garments, moving in languid
dances, fluttering painted fingers, bending, swaying, dropping down,
like the forms that people a dream.
In the bazaars is the passion for gain, in the alleys of music and light
is the passion for pleasure, in the mosques is the passion for prayer
that connects the souls of men with the unseen but strongly felt world.
Each of these passions is old, each of these passions in the heart of
Islam is fierce. On my return to Cairo I sought for the hidden fire that
is magic in the dusky places of prayer.
Public-domain text, read in full here on John Shaqi.
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