Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
In an inquiry concerning the external signs of passion, actions ought
not altogether to be overlooked: for though singly they afford no clear
light, they are upon the whole the best interpreters of the heart[40].
By observing a man’s conduct for a course of time, we discover
unerringly the various passions that move him to action, what he loves
and what he hates. In our younger years, every single action is a mark
not at all ambiguous of the temper; for in childhood there is little or
no disguise. The subject becomes more intricate in advanced age; but
even there, dissimulation is seldom carried on for any length of time.
And thus the conduct of life is the most perfect expression of the
internal disposition. It merits not indeed the title of an universal
language; because it is not thoroughly understood but by those who
either have a penetrating genius or extensive observation. It is a
language, however, which every one can decipher in some measure; and
which, joined with the other external signs, affords sufficient means
for the direction of our conduct with regard to others. If we commit any
mistake when such light is afforded, it never can be the effect of
unavoidable ignorance, but of rashness or inadvertence.
In reflecting upon the various expressions of our emotions, voluntary
and involuntary, we must recognise the anxious care of Nature to
discover men to each other. Strong emotions, as above hinted, beget an
impatience to express them externally by speech and other voluntary
signs, which cannot be suppressed without a painful effort. Thus a
sudden fit of passion is a common excuse for indecent behaviour or harsh
words. As to the involuntary signs, these are altogether unavoidable. No
volition or effort can prevent the shaking of the limbs or a pale
visage, when one is agitated with a violent fit of terror. The blood
flies to the face upon a sudden emotion of shame, in spite of all
opposition:
Vergogna, che’n altrui stampo natura,
Non si puo’ rinegar: che se tu’ tenti
Di cacciarla dal cor, fugge nel volto.
_Pastor Fido, act 2. sc. 5._
Emotions indeed properly so called, which are quiescent, produce no
remarkable signs externally; nor is it necessary that the more
deliberate passions should, because the operation of such passions is
neither sudden nor violent. These however remain not altogether in the
dark. Being more frequent than violent passion, the bulk of our actions
are directed by them. Actions therefore display, with sufficient
evidence, the more deliberate passions, and complete the admirable
system of external signs, by which we become skilful in human nature.
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