Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
Manifold and admirable are the purposes to which the external signs of
passion are made subservient by the author of our nature. What are
occasionally mentioned above, make but a part. Several final causes
remain to be unfolded; and to this task I apply myself with alacrity. In
the first place, the signs of internal agitation that are displayed
externally to every spectator, tend to fix the signification of many
terms. The only effectual means to ascertain the meaning of any doubtful
word, is an appeal to the thing it represents. Hence the ambiguity of
words expressive of things that are not objects of external sense; for
in that case an appeal is denied. Passion, strictly speaking, is not an
object of external sense: but its external signs are; and by means of
these signs, passions may be appealed to, with tolerable accuracy. Thus
the words that denote our passions, next to those that denote external
objects, have the most distinct meaning. Words signifying internal
action and the more delicate feelings, are less distinct. This defect
with respect to internal action, is what chiefly occasions the intricacy
of logic. The terms of that science are far from being sufficiently
ascertained, even after the care and labour bestowed by an eminent
writer[43]: to whom however the world is greatly indebted, for removing
a mountain of rubbish, and moulding the subject into a rational and
correct form. The same defect is remarkable in criticism, which has for
its object the more delicate feelings. The terms that denote these
feelings, are not more distinct than those of logic. To reduce this
science of criticism to any regular form, has never once been attempted.
However rich the ore may be, no critical chymist has been found to give
us a regular analysis of its constituent parts, and to distinguish each
by its own name.
In the second place, society among individuals is greatly promoted by
this universal language. The distance and reserve that strangers
naturally discover, show its utility. Looks and gestures give direct
access to the heart; and lead us to select with tolerable accuracy the
persons who may be trusted. It is surprising how quickly, and for the
most part how correctly, we judge of character from external
appearances.
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