It is a New Testament, printed in London in 1625, and covered in white
satin, with a different design embroidered on each side. It measures
4-1/2 by 3-1/2 inches. On the upper board is David with a harp. He wears
a long red cloak lined with ermine, with a white collar, an
under-garment of pale brown, and high boots with spur-straps and red
tops. On his head is a royal crown of gold with red cap, and he is
playing upon a golden harp. The face of this figure resembles that of
Charles I. The red cloak is worked in needlepoint lace, and is
in deep folds in high relief. These folds are actually modelled in waxed
paper, the needlework being stretched over them, and probably fixed on
by a gentle heat. The other parts of the dress are worked in the same
way, but without the waxed paper, and the edges of the garments are in
some places marked with what might be called a metal fringe, made in a
small recurring pattern.
David is standing upon a grass plot, represented by small arches of
green purl, and before him is sitting a small dog with a blue collar.
Above the dog is a small yellow and black pansy, then a large blue
'lace' butterfly, on a chenille patch, and a brown flying bird. Behind
David there is a tall conventional lily and a flying bird. The sky is
overcast with heavy clouds of red and blue, but a golden sun with tinsel
rays is showing under the larger of them. On the lower board is a
representation of Abraham about to sacrifice Isaac. Abraham is dressed
in a red under-garment on waxed paper, in heavy folds with a belt and
edge of stamped-out metal, a blue flowing cape and high boots, all
worked in needlepoint lace in coloured silks.
In his right hand he holds a sword, and his tall black hat is on the
ground beside him. On the ground towards the left is Isaac in an
attitude of prayer, his hands crossed, with two sheaves of firewood. He
wears a red coat with a small blue cape. The ground is green and brown
chenille. Above Isaac is a gourd, and above this a silver ram caught in
a bush, on a patch of grass indicated by green purl. The sky is occupied
by a large cloud, out of which leans an angel with wings, the hands
outstretched and restraining Abraham's sword.
On the back are four panels, containing respectively from the top a
butterfly, a rose, a bird, and a yellow tulip, all worked in needlepoint
and applique. The pieces that are in high relief all over the book are
edged with gold twist, and have moreover their counterparts under them
closely fastened down to the satin. There are several gold spangles in
the various spaces between the designs; the whole is edged with a strong
silver braid, and there are two clasps with silver attachments.
Public-domain text, read in full here on John Shaqi.
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