To describe in detail what I saw in my tour that day through
the paper-process factories would be to tell an old story to
twentieth-century readers; but what far more impressed me than all the
ingenuity and variety of mechanical adaptations was the workers
themselves and the conditions of their labor. I need not tell my readers
what the great mills are in these days--lofty, airy halls, walled with
beautiful designs in tiles and metal, furnished like palaces, with every
convenience, the machinery running almost noiselessly, and every incident
of the work that might be offensive to any sense reduced by ingenious
devices to the minimum. Neither need I describe to you the princely
workers in these palaces of industry, the strong and splendid men and
women, with their refined and cultured faces, prosecuting with the
enthusiasm of artists their self-chosen tasks of combining use and
beauty. You all know what your factories are to-day; no doubt you find
them none too pleasant or convenient, having been used to such things all
your lives. No doubt you even criticise them in various ways as falling
short of what they might be, for such is human nature; but if you would
understand how they seem to me, shut your eyes a moment and try to
conceive in fancy what our cotton and woolen and paper mills were like a
hundred years ago.
Picture low rooms roofed with rough and grimy timbers and walled with
bare or whitewashed brick. Imagine the floor so crammed with machinery
for economy of space as to allow bare room for the workers to writhe
about among the flying arms and jaws of steel, a false motion meaning
death or mutilation. Imagine the air space above filled, instead of air,
with a mixture of stenches of oil and filth, unwashed human bodies, and
foul clothing. Conceive a perpetual clang and clash of machinery like the
screech of a tornado.
But these were only the material conditions of the scene. Shut your eyes
once more, that you may see what I would fain forget I had ever seen--the
interminable rows of women, pallid, hollow-cheeked, with faces vacant and
stolid but for the accent of misery, their clothing tattered, faded, and
foul; and not women only, but multitudes of little children, weazen-faced
and ragged--children whose mother's milk was barely out of their blood,
their bones yet in the gristle.
* * * * *
Edith introduced me to the superintendent of one of the factories, a
handsome woman of perhaps forty years. She very kindly showed us about
and explained matters to me, and was much interested in turn to know what
I thought of the modern factories and their points of contrast with those
of former days. Naturally, I told her that I had been impressed, far more
than by anything in the new mechanical appliances, with the
transformation in the condition of the workers themselves.
Public-domain text, read in full here on John Shaqi.
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