Far upon the storm-wastes pitched a tiny craft under naked poles,
hurled toward destruction. As he drove past her under thundering sail
he saw--for the first time in any dream--the ghost of Eris lashed to
the little helm, her death-white face fixed, her gaze intent upon the
last fading star.
He awoke calling to her, the strain of nightmare an agony in his
throat, and shaking all over. But now, awake, he couldn’t understand
what had so terrified him in his dream, why he quivered so.
“I suppose I thought she couldn’t ride out the storm in that
cockle-shell,” he muttered, gazing at the grey warning of dawn outside
his windows.
The first sparrow chirped. Annan pulled the quilt over his ears,
disgusted.
“I ought to look up that kid,” he thought.
It was his last conscious effort until he awoke for another day.
CHAPTER XIII
Annan, leaving the Province Club--one of the remaining threads
attaching him to the conventional world--espied Coltfoot.
They had not met in weeks, and they shook hands affectionately.
“What are you doing these days, Mike?” inquired Annan.
“Hunting geniuses as a dog hunts fleas. What’s your latest effort,
Barry?”
“No effort. I am awaiting with composure the birth of my great novel.”
“Any good?” demanded the other with professional curiosity.
“It’s good enough to sell in Heaven,” replied Annan modestly.
“Not so good then,” grunted Coltfoot. “And if that’s all you’re doing
this afternoon, why not saunter along with me?”
“Gladly, but whither?”
“To 57th Street. Frank Donnell is running Betsy Blythe’s stuff this
afternoon. Don’t you want to see it?”
“Why, yes--of course.”
Annan signalled a club taxi in waiting; they rolled away together,
Coltfoot directing the driver to go to “The Looking Glass”--quite the
most charming little motion-picture house yet erected on Manhattan
Island.
“Albert Wesly Smull built it,” remarked Coltfoot. “It’s a gem.”
“Isn’t Smull one of that bunch of sports behind Betsy Blythe?”
“One of ’em. I hear ‘The Looking Glass’ is the first of a string of
picture houses that Smull means to build and operate.”
“I supposed that Wall Street men had learned to fight shy of pictures,”
remarked Annan.
“You can’t scare them away. It’s a bigger gamble than their own. That’s
why.”
They stopped at the pretty bit of colonial architecture on
Fifty-Seventh Street, and entered a private corridor where an elevator
whisked them to the third floor.
There were a number of people in Frank Donnell’s office.
Donnell, prematurely grey, smooth-shaven and with the manners of a
gentleman, greeted Coltfoot who, in turn, made him known to Annan.
Public-domain text, read in full here on John Shaqi.
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