Meanwhile Esther had a talk with Mr. Hazard which left her more in doubt
than ever as to what she had best do. He urged her to begin something
new and to do it in a more strenuous spirit.
"You are learning from Wharton," said he. "Why should you stop at the
very moment when you have most to gain?"
"I am learning nothing but what I knew before," she answered sadly. "He
can teach only grand art and I am fit only for trifles."
"Try one more figure!"
Esther shook her head.
"My Cecilia is a failure," she went on. "Mr. Wharton said it would be,
and he was right. I should do no better next time, unless I took his
design and carried it out exactly as he orders."
"One's first attempt is always an experiment. Try once more!"
"I should only spoil your church. In the middle of your best sermon your
audience would see you look up here and laugh."
"You are challenging compliments."
"What I could do nicely would be to paint squirrels and monkeys playing
on vines round the choir, or daisies and buttercups in a row, with one
tall daisy in each group of five. That is the way for a woman to make
herself useful."
"Be serious!"
"I feel more solemn than Mr. Wharton's great figure of John of Patmos. I
am going home to burn my brushes and break my palette. What is the use
of trying to go forward when one feels iron bars across one's face?"
"Be reasonable, Miss Dudley! If Wharton is willing to teach, why not be
willing to learn? You are not to be the judge. If I think your work
good, have I not a right to call on you for it?"
"Oh, yes! You have a right to call, and I have a right to refuse. I will
paint no more religious subjects. I have not enough soul. My St. Cecilia
looks like a nursery governess playing a waltz for white-cravated saints
to dance by." There was a tone of real mortification in Esther's voice
as she looked once more at the figure on the wall, and felt how weak it
seemed by the side of Wharton's masculine work. Then she suddenly
changed her mind and did just what he asked: "If Mr. Wharton will
consent, I will begin again, and paint it all over."
Public-domain text, read in full here on John Shaqi.
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